In a December 22, 2015 post on the American Numismatic Society's blog Pocket Change, Matthew Wittmann interviewed visitor
Katherine Smoak about her research into coins and counterfeiting in the eighteenth century. -Editor
Last week Katherine Smoak, a graduate student in the Department of History at Johns Hopkins University, visited the ANS to research coins
and counterfeiting in the eighteenth century Atlantic world. Katherine was kind enough to sit for a short interview about her work, and what follows
is a lightly edited transcript of our talk.
What brings to you to the ANS today?
I am a Ph.D. candidate at Johns Hopkins University and I came to look at Caribbean coinage. I have been working on an article about
counterfeits made in Birmingham and shipped to the Caribbean, mostly of Spanish and Portuguese coins, but also French billon coins.
And how did you get interested in numismatics?
Initially it came through an interest in crime and punishment in colonial America. I came across counterfeiters in this context and
reviewing court records just made me realize how rich this sort of material about coins and paper money was.
What sort of material did you look at today?
Mostly at trays from the Caribbean cabinet. I am particularly interested in small change used mostly by enslaved peoples like black dogs
and stampees. And then I was also looking at some higher value coins like cut Spanish silver and Portuguese gold half-joes that had been
variously clipped and plugged. I was really interested in the counterstamps and what that means for different islands as they tried to
certify weights and keep coins in circulation amidst a flood of counterfeits.
What is a black dog?
It was a small French coin that was supposed to be a copper and silver alloy that was sent to the French colonies in the Caribbean, but
ended up circulating much more widely. My understanding of them from what I have been reading is that by the 1780s and 1790s, most all of
the black dogs in circulation were counterfeits and not the original imported coin. What is circulating is something like a trade token
that was being produced en masse in places like Birmingham and shipped to merchants and planters to use as small change.
Part of what was so exciting for me looking at the trays today was just to see what these coins I have been reading so much about looked
and felt like. Getting to feel how heavy a silver dollar was and how tiny some of the cut pieces are was really great. With the copper
coins, seeing how crude and thin and easy they presumably would have been to produce and counterfeit was interesting. Seeing how much
counterfeit material there was relative to genuine coin on particular trays was pretty remarkable. The wear and clipping and plugging on
the gold joes was pretty amazing and thinking about the tactile interactions with money that people are having and how you can feel when a
coin has been altered.
Was there a particular coin that you found illuminating?
One of the most exciting things I saw was this Portuguese half-joe that had been holed and counterstamped for Trinidad, Berbice, and
Martinique. Being able to see the clipped edges and weigh it and see just how crude the holing looked was neat. All of the marks just show how widely
this coin circulated in the Caribbean. This was my first time actually seeing a half-joe. It was really exciting for me to hold one after reading all
these legislative minutes and Board of Trade letters about them.
I was not familiar with the terms black dogs and stampees. Here are some stampees from the ANS collection (follow the link in the article
for more). -Editor
1798 Trinidad and Tobago Copper 1 stampee
To read the complete catalog description, see:
http://numismatics.org/collection/1911.105.927
1800 Trinidad and Tobago Copper 1/2 stampee of Rapsey, H. E.
To read the complete catalog description, see:
http://numismatics.org/collection/1934.1.501
1870 London (England) Bronze 1 stampee of Declos, Francois
To read the complete catalog description, see:
http://numismatics.org/collection/1918.188.3
To read the complete article, see:
PROFILES IN RESEARCH: KATHERINE SMOAK
(www.anspocketchange.org/profiles-in-research-katherine-smoak/)
Wayne Homren, Editor
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