The December 2, 2016 sale of Coins and Historical Medals by Morton & Eden in London includes just five medals. Two of these are related to the U.S. Here are the lot descriptions.
-Editor
1789 East Florida Proclamation Medal
Lot 786
Colonial America, East Florida, Proclamation Medal or 4-Reales, 1789, in silver, commemorating the Proclamation of
Charles IV of Spain as King by the Governor of East Florida Vicente Manuel de Zespedes, armoured and draped bust of Charles
IV right, CAROLUS IV. D. G. HISPAN. REX., rev., a six-petalled jasmine flower at centre, small castle above and lion below, LA
FLORA: ORIENTAL PER. ZESPEDS PROCLAM:TUS 1789, edge obliquely grained, 32.7mm, 12.04g (Breen 1079; Betts 10;
Herrera 133; Medina 148; Grove C.58), lightly toned, a few scratches in fields both sides, small digs above head of portrait and
some casting flaws, about very fine and extremely rare, this example not recorded and not previously offered at auction
£10,000-15,000
The early Colonies of East and West Florida were originally ceded to Britain from Spain under the terms of the 1763 Treaty of Paris which ended
the Seven Years’ War. Subsequently they were returned to Spain under the terms of the Treaty of Paris in 1783, which ended the American War
of Independence. Soon afterwards Vicente Manuel Zespedes was installed as Governor of the newly returned colony; based at St Augustine, he
previously held the position as Governor of nearby Santiago de Cuba in the preceding year. He attempted to increase the population and development
of East Florida by luring former Spanish residents to return with the promise of land grants and 10-year tax exemptions, whilst also
attempting to retain its British settlers, many of whom were by that time leaving for plantations in the islands of the British Caribbean.
In anticipation of the planned proclamation of the new King Charles IV, commemorative medals (sometimes considered 4-real coins, which they
resembled in terms of weight and size) were ordered in advance by Zespedes himself, probably being struck at his own personal expense, to be
distributed during the celebrations due to take place on 2-4 December 1789. Three days of festivities followed, with processions, dancing, singing
and military parades. It is here that Zespedes, leading the parade, is recorded as having cast handfuls of the newly made ‘silver money’ into the
grateful crowd (with no mention of bronze), as recorded in an original letter dated December 9 1789 from Domingo Rodriguez de Leon, a notary
based in St Augustine, to a correspondent in Spain regarding the details of the celebrations.
Where, how many, and precisely how these pieces were made, however, remain elusive historical details. Studies concerning this medal have
been made by several numismatists, but in particular by John W. Adams and also by Michael Hodder (as shown in the John Ford Jr
Collection, Part XIII catalogue), and arguments have been made for the existence of 4 distinct types: struck silver, cast silver, after-cast
silver re-issues, and after-cast bronze re-issues. Current theories regarding the place of manufacture vary, but some suggest Mexico City
(where an official mint already existed) for the highest quality ‘struck’ examples, and then Havana, Santiago de Cuba or perhaps another
local mint in Florida for the remainder, but no concrete documentary evidence exists to date. Given Zespedes’ links to Havana and
Santiago and the relatively modest quality of the medals, a Cuban mint (probably at Havana) would seem most logical, as is also suggested
by Hodder. Many of the “coins” were perhaps melted down later and consequently very few survive.
Three ‘commemorative medals’ were reportedly sent by Zespedes to the king and a further three to the colonial secretary after the celebrations,
and arguably these six medals could account for the supposedly ‘struck’ examples, with all others being cast as intended for general distribution.
Nevertheless, it is worth pointing out that even the finest known ‘struck’ example, lot 660 in the John Ford Jr Collection (weighing 13.77g), shows
clear casting flaws to the neck of the king’s portrait and in the medal’s fields – much the same as shown in the example offered here. The idea
that the finest examples were struck on cast planchets whereas others were more simply cast has been suggested to explain the evident difference
in quality. Perhaps the overall finish and craftsmanship used for the king’s & colonial secretary’s examples was of a higher standard - as
one might expect and is known in other series. Such examples would have been unlikely to have entered circulation and would therefore have
avoided wear. This argument would reduce the need for complex discussions regarding different issues being minted in different locations when
the production appears to have been very much more a local one, which would have been under some considerable time pressure between the
arrival of the news of Charles III’s death in Florida (March 1789) and the planned proclamation of Charles IV (December 1789). A further argument
has been made regarding an apparent difference in legend for struck (TUS) and cast (TUR) examples in silver, but this does not seem to
stand up to scrutiny, as each silver example illustrated in recent times appears to read TUS regardless.
In Stack’s Bowers Auction, 26-31 March 2015 (lot 6002, the John W. Adams example weighing 11.61g), 5 silver examples were recorded. Thus
the present piece appears to be the sixth known. A further three examples are known in bronze, giving a total of only nine presently known in
any metal.
In 1821, under the Adams-Onis Treaty, both Floridas were finally ceded to the United States who amalgamated the two to form the Territory of
Florida the following year.
John Paul Jones - The Capture of the British Frigate H.M.S. Serapis
Lot 787
U.S.A., John Paul Jones (1747-1792), The Capture of the British Frigate H.M.S. Serapis by the U.S.S.
Bonhomme Richard off Flamborough Head, 23 September 1779, in silver, Paris Mint, made for the ‘Comitia Americana’
series of medals by Augustin Dupré; bust of John Paul Jones right [after Houdon] in naval uniform, signed DUPRÉ. F. on truncation,
JOANNI PAVLO JONES CLASSIS PRAEFECTO, COMITIA AMERICANA; rev., the naval action in progress showing the
crew of U.S.S. Bonhomme Richard boarding H.M.S. Serapis behind, HOSTIVM NAVIBVS CAPTIS AVT FVGATIS, AD ORAM
SCOTIAE XXIII SEPT M DCCLXXVIIII, 56.25mm (Betts 568; Adams & Bentley, Ch. 8; B.H.M. 222, R2; MH 580; CP 105/22;
Ford XIV 203.), with evidence of die flaws in extremely early stage indicating an original or very early striking, lightly polished
in the past so with hairlines and a few tiny marks, extremely fine and very rare £6,000-8,000
On 23 September 1779 the U.S.S. Bonhomme Richard, under the command of Captain John Paul Jones, led a combined Franco-American fleet
of 5 ships against a large Baltic merchant fleet being escorted by the British ships H.M.S. Serapis and the smaller Countess of Scarborough. The
fighting took place off the Yorkshire coast near Flamborough Head and the coastal town of Bridlington, when the experienced French Captain
Landais of the Alliance engaged and drew away the Countess of Scarborough, leaving Serapis to battle against the 4 remaining American and
French ships.
Initially the Serapis inflicted considerable damage to the hull and rigging of the Bonhomme Richard and the American flag fell, prompting
Captain Richard Pearson of the Serapis to ask Jones if he had intentionally struck his colour in surrender. Jones defiantly replied: “I have not
yet begun to fight!” and after a further three hours of bitter exchange it was indeed the Serapis and Countess of Scarborough which were forced
to surrender. The Americans boarded and transferred across to the Serapis following a close, hard-fought victory, with the critically-damaged
Bonhomme Richard sinking on the following day.
The victory made John Paul Jones a national hero and this piece from the Comitia Americana series holds the distinction of being the only naval
medal authorized by the Continental Congress.
For more information, or to bid, see:
http://www.mortonandeden.com/
Wayne Homren, Editor
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