circumscriptions.
The wording in a legend is often contracted or abbreviated to get the required statement into a small space. Also legends are often in a language different from the country issued – as Latin – to further add to their obscurity. Translating legends, however, is a vital function of numismatic study and legends are often indexed in numismatic literature.
Legends are always in capital letters. Occasionally the words in a legend are separated by a CENTER DOT. This is at the option of the item’s designer, there are no rules regarding these. In modern times the use of center dots is for artistic effect. When cataloging, including the center dots is part of a legend’s description.
A legend containing errors of any kind (misspelled words or titles, errors of dates or figures, or mis-struck letters) is called BLUNDERED LEGEND. Legends normally run clockwise, or left to right, however Arabic and other languages read right to left. Legend is also the lettering on a coat of arms or heraldic shield in any position. The legend may also be a motto, somewhat of a slogan, if it appears next to the border.
Multiple line legends. The legend is usually only one row of lettering along the rim, adjacent to the border or border elements. However, the legend may be more than one line. Such a DOUBLE LEGEND was used as early as 1250 on French coins.
Three or more lines of legend are rare, but do exist. An extreme case is a six-line MULTIPLE LEGEND on the Barcelona Columns of Julia Augusta Medal of 1970, issued by Calico in Spain. The legend has a list of countries throughout the world with cities named Barcelona. A spiral legend is a circular legend that runs in an ever decreasing pathway inside previous lettering, a VOLUTE, often to the very center of the design.
Early legend technique. Hill and Pollard in Medals of the Renaissance tell of early portrait medals modeled on a disk and the legend modeled on a separate ring that fits closely around the disk. Examples are found with the lettering in different positions in relation to the portrait, so the ring was kept separate, and rotated to different positions between castings. This method was employed in the 15th century by Amadeo da Milano, a jeweler turned medallist, by Enzola and others. See BORDER.
References: CLASS 02.10
N19 {1993} Mackay, p 51-77.
O10 {1920} Hill.
It doesn't get more fundamental than this. Dick's Dictionary is required reading for any aspiring numismatist. Learn the basic terms, and use them properly.
We're very grateful that he's sharing his work with us here in The E-Sylum as well as on the Newman Portal.
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