Content presented in The E-Sylum is not necessarily researched or independently fact-checked, and views expressed do not necessarily represent those of the Numismatic Bibliomania Society.

WAYNE'S WORDS: THE E-SYLUM SEPTEMBER 5, 2018

This week we open with an anniversary - our own! The e-mail newsletter we now call The E-Sylum was inaugurated twenty years ago this week with a short message on the morning of Friday, September 4, 1998. Next up is an update to the NBS Wiki, a new book, a review, and an important addition to the Newman Numismatic Portal.

Other topics this week include the Brunk merchant countermarks book, Gen. Benjamin Butler numismatica, collector Julius Brown, the Moritz Wormser collection, the U.S. Mint, Mormon money, Emperor Norton, another 1943 copper cent, and why the dollar bill looks the way it does.

To learn more about Thomas Elder auction sale catalogs, the dated coins of antiquity, Confederate Numismatica, Washington medals, yard sale finds, perspective on coins and medals, Mnit engravers William and Charles Barber, the 50 state quarters program, Salvador Dali medals, and banknote inspired by the Hajj, read on. Have a great week, everyone!

Wayne Homren
Editor, The E-Sylum

E-SYLUM ANNIVERSARY: 20 YEARS OF NUMISMATICS

To access and search the complete archive, see:
The E-Sylum eNewsletter Archive (http://www.coinbooks.org/club_nbs_esylum.html)

To access the complete table of contents, see:
E-Sylum Contents - All issues (http://www.coinbooks.org/esylum_toc.html)

Most Popular Photos on Flickr

To view our Flickr photostream, see:
Numismatic Bibliomania Society (NBS) (https://www.flickr.com/photos/coinbooks/with/44427699501/)

NBS WEB SITE WIKI UPDATE: THOMAS ELDER

Tom Wetter writes:

To visit the Elder page, see:
Thomas Elder Auction Sale Catalogues (http://wiki.coinbooks.org/index.php/THOMAS_L._ELDER_AUCTION_SALES)

To visit all the Wiki auction listings, see:
Auction Sale Listings (http://wiki.coinbooks.org/index.php/Category:Auction_Sale_Listings)

To visit the Wiki main page, see:
Welcome to the Numismatic Bibliomania Society Wiki (http://wiki.coinbooks.org/index.php/Main_Page)

NEW BOOK: DATED COINS OF ANTIQUITY SUPPLEMENT

Free download for RELEASE 2 of Dated Coins of Antiquity (DCA) - Tyre Supplement

In 2017, Classical Numismatic Group (CNG) released and sold out of RELEASE 2 of Dated Coins of Antiquity - Tyre Supplement (DCA-Tyre). In its release announcement, the author said that CNG would release a free digital download of the book after it sold out. The coverage is restricted to the shekels of Tyre and their smaller denominations. It does not duplicate the material in the original volume, Dated Coins of Antiquity (DCA), which catalogs 6000+ coins dated before the millennium divide, 1 BC / AD 1.

DCA-Tyre deals exclusively with the "shekel of Tyre" and its smaller denominations in silver. DCA contained 15 pages (pages 501 to 515) of rarity listings by date for the shekel of Tyre. The photo Supplement expands on the photos for this section of DCA. DCA-Tyre has a chapter for each denomination and date that the author has confirmed. Each chapter includes photos with an enlargement of each monogram and Phoenician letter (Aleph or Bet) for the date. For Release 2, there are nearly 1,000 photographs in all.

The full citation is "Dated Coins of Antiquity, Shekels of Tyre - Supplemental Photographs (Release 2)", by Edward E. Cohen

The complete Tyre supplement is available as a free digital PDF download at this web site: https://cngcoins.com/photos/cng_links/dca-tyre_release_2.pdf

For convenience, the book is also available for interactive viewing at issuu.com: Part 1: https://issuu.com/cngcoins/docs/dca-tyre_release_2-part_1
Part 2: https://issuu.com/cngcoins/docs/dca-tyre_release_2-part_2

The original Dated Coins of Antiquity (DCA) is available here: http://www.cngcoins.com/Coin.aspx?CoinID=190860 . DCA can also be purchased from Charles Davis or Forum Ancient Coins (United States), CGB Numismatics (France) or Paul-Francis Jacquier (Germany).

REVIEW: CONFEDERATE NUMISMATICA SUPPLEMENT ONE

Peter Bertram has done it again! He has collected obscure information and compiled it into an excellent research and reference book. One of the problems with Confederate information is that at or near the end of the War many documents and physical objects were lost, stolen, burned, or otherwise destroyed. An additional problem is that some documents were bound into one-of-a-kind books, which were sold on the collector market and no one was permitted to first study the contents. Over the years, descendants of Confederate and Union soldiers have discovered Confederate items that had been hidden by a soldier and suddenly we have a revelation that changes the history we thought we knew.

The first half of this book describes numerous ribbons, badges, tokens, and medals that Peter has located since publication of his first book. The various pieces are shown in full color, often in great detail. The images are universally clear and are important for identifying differences between similar items and recognizing fakes. There are folks out there who delight in making fake Confederate items in the interest of ill-gotten gains!

Peter shows the known varieties of a Confederate “A United South” token that was found at the Stone's River Battlefield near Murfreesboro, Tennessee. As can be seen on page 13, these tokens are a little rustic. George Corell, in his research of these pieces, found that an engraver and die sinker of some of these so-called Confederate dimes lived and worked in Murfreesboro. Interesting how things can tie together.

Mr. Bertram told the story of the Stonewall Jackson medals in his first book and now in his Supplement he shows some additional examples and two of the original cases. One shipment of these commemorative pieces arrived in Richmond from Paris France in the Spring of 1865. A second shipment went to Savannah just as the War was ending and they were stored in a warehouse and forgotten about. Some 30 years later, they were discovered by workmen cleaning up after a fire that destroyed the warehouse. The medals that were salvaged were given to the United Daughters of the Confederacy (UDC) and sold for the benefit of disabled Confederate veterans.

The second half of the book delves deeply into the Chemicograph backs for Confederate Treasury notes. If you thought most of what could be said about collecting them has already been written, please think again. Using auction catalogs from 1885 to 2017 and other obscure references, Peter has prepared the first ever catalog of the unused Chemicograph backs for the $500 to $5 Confederate 1864 Treasury notes. He has defined four separate printings (1879-80, 1883-84, 1948-49, and 1957-58) with color illustrations of all 38 known varieties, and listed them both individually and by sets. His two fully illustrated “Quick Reference” pages at the end summarize much of the book’s information and will be an invaluable tool to look up a Chemicograph note up in a hurry!

I was curious why Peter started each and every catalog listing with “B864-“. It seemed redundant to me so I asked him about it. He said

Mr. Bertram goes into great detail defining and describing the four printings and a lot of effort is expended making sure the reader understands how to identify the differences between them. In addition to his detailed descriptions, he presents images that perfectly illustrate the various issues he discusses. Collectors and students of the Chemicograph backs should come away with a detailed understanding of the subject.

As the first ever cataloging effort of a subject about which so little is seemingly known, Peter presents us with a thoroughly researched and well written book. If you are a dealer, collector, or researcher of Confederate numismatic memorabilia, I highly recommend this work. Buy a copy – you’ll be glad you did!

For more information, or to order, see:
https://confederatenumismatica.com/

To read the earlier E-Sylum article, see:
NEW BOOK: CONFEDERATE NUMISMATICA SUPPLEMENT ONE (http://www.coinbooks.org/v21/esylum_v21n32a05.html)

COIN WORLD AVAILABLE IN NEWMAN PORTAL SEARCHES

Coin World Available on Newman Portal for Search-Only Access

The weekly messenger of the numismatic trade since 1960, Coin World represents a substantial store of numismatic information that is often lost to today’s researchers, who have no way of searching or accessing old issues. Complete runs of the periodical are few and far between, as the space required to store over 3,000 issues is considerable. Over the last year, Newman Portal has been scanning Coin World at various locations, and now announces the completion of the project.

Although not available for full view, this content can be searched by Newman Portal users. To search Coin World on Newman Portal, use the advanced search page and enter “periodical” as the content type and “Coin World” as the title. An NNP user this week located an extensive article on a numismatic theft from the Historical Society of Pennsylvania in the early 1970s, which was discoverable in no other way. Members of the American Numismatic Society (ANS) may acquire copies of specific articles through ANS librarian David Hill.

Coin World shipment and delivery to the
Internet Archive scanning center in Princeton, NJ.

Newman Portal acknowledges the ANS, which shared in the cost of digitization, and Beth Deisher and Ute Wartenberg Kagan for their support. Rick Amos at Amos Media provided the Coin World reference set from 1960-2005, while David Sundman of Littleton Coin Company loaned his run of Coin World from 2006-2017.

Link to advanced search page on Newman Portal:
https://nnp.wustl.edu/Library/AdvancedSearchForm

ANS Executive Director Ute Wartenberg Kagan adds:

COINAGE ARTICLE HIGHLIGHTS HERITAGE WEB PLATFORM

The booming coin market of the 1970s set the two as heated yet friendly rivals, whose businesses expanded from shops and shows to auctions. Halperin bought a mainframe computer in 1975 and started an auction firm later that year. Ivy followed suit on both, and his first auction in 1976 drew $650,000 (roughly $2.8 million in today’s dollars). “That’s a number we have surpassed over 100 times with single lots since then time,” Ivy said. “By 1979, we [Steve Ivy Rare Company] were the U.S.’s second-largest coin company with 150 employees … but Jim [New England Rare Coin Galleries] was No. 1.”

When the metals market crashed in the early 1980s, Ivy called Halperin with a proposition: Nothing could stop them if they combined the two companies and their individual talents. When the duo founded Heritage Galleries in 1982, competitors predicted the partnership would be lucky to last three years. Jim brought his best friend (and employee since 1975), Marc Emory, to Dallas with him to set up Heritage’s gold import business in Europe. Soon thereafter, Steve and Jim hired operations wizard Paul Minshull and coin expert Greg Rohan to help move the business forward. All five are still at Heritage. Marc, Greg, and Paul are now each part owners of the business, along with Todd Imhof, Cris Bierrenbach, Ryan Carroll, and Steve’s son, Chris Ivy.

“Our auction department was still behind several numismatic auction firms,” Ivy said. “Then, around 1995, everything changed. There was this new thing called ‘the internet.’”

The potential captivated Halperin, in particular: a connected world was tailor-made for the auction business. “Not only could Heritage reach clients around the world,” Halperin said, “but we could even the playing field for all buyers and sellers by making private information public.”

Between 1995 and 1999, the partners funneled resources to develop what would become HA.com. Heritage was the first auctioneer to combine traditional floor bidding with active internet bidding. The innovation catapulted the auction portion of the business to number one in that space, in commanding more than 50 percent of the market. “It was perhaps Jim’s best idea to build the website to make the entire auction process as transparent as reasonably possible,” Ivy said. “We listed all past lots and prices, which turned HA.com into the most-used resource in coins.”

To read the complete article, see:
Secrets of the Number One Online Coin Company (http://coinagemag.com/secrets-of-the-number-one-online-coin-company/)

BRUNK MERCHANT COUNTERMARKS PUBLISHER SOUGHT

Last week, I spotted copy in an eBay listing, wherein a seller said he heard that Greg Brunk had died. I periodically talk with Greg, a longtime friend, by phone. As I've long known that Greg has serious, ongoing health issues, and I'd not spoken with him in many weeks, I got a message to him. He phoned me two days later.

Greg laughed, saying that reports of his demise have been greatly exaggerated. He recalled that, twenty years ago, Russ Rulau had reported his, Greg's, demise in Numismatic News!

Naturally, I was elated to know that's Greg's still with us. The eBay seller apologized, saying he must have misheard what he thought he was told.

Sadly, Rich Hartzog passed, late last year. Rich was to publish the third edition of Greg's book on merchant counterstamps. Greg reports that the book is finished; this, but for insertion of the photographs on file. As Greg is legally blind, he's unable to accomplish this final task. His blindness is exacerbated by other health issues.

Greg approved my posting this info in The E-Sylum. He'd like to "see" his book, being many hundreds of pages in length, go to print. If there are any parties interested in this publishing project, I'll gladly put them in touch with Greg.

NOTES FROM E-SYLUM READERS: SEPTEMBER 2, 2018

More 2018 World's Fair of Money Exhbits

Ernie Nagy writes:

Bryce Doxzon writes:

To read the earlier E-Sylum article, see:
2018 WORLD'S FAIR OF MONEY EXHIBITS (http://www.coinbooks.org/v21/esylum_v21n34a24.html)

More on the Eagle Scout Medal
Regarding the Eagle Scout medal, Ken Berger writes:

George Cuhaj writes:

To read the earlier E-Sylum article, see:
EAGLE SCOUT MEDAL OWNER SOUGHT (http://www.coinbooks.org/v21/esylum_v21n34a30.html)

Bolender 76th Sale Washington Medal Prices

Mike writes:

Dan Hamelberg writes:

To read the earlier E-Sylum article, see:
NOTES FROM E-SYLUM READERS: AUGUST 26, 2018 : Bolender 76th Sale PRL Sought (http://www.coinbooks.org/v21/esylum_v21n34a10.html)

Money Stamp: Not to be Used for Buying Elections
Phil Iversen writes:

To read the earlier E-Sylum article, see:
MORE ON POLITICAL SLOGANS ON BANKNOT (http://www.coinbooks.org/v21/esylum_v21n21a16.html)

Dave Hirt's Yard Sale Finds
Dave Hirt writes:

J.W. Scott Advertising Insert
David Pickup writes:

To read the earlier E-Sylum article, see:
SCOTT, JOHN WALTER (http://www.numismaticmall.com/numismaticmall-com/scott-john-walter)

Dansco Panama Album #7451 Sought
John Okerson writes:

Notes on Tokens
Duane Feisel writes:

Duane adds:

To read the earlier E-Sylum articles, see:
SELECTIONS FROM THE HOLABIRD 2018 NCTA SALE (http://www.coinbooks.org/v21/esylum_v21n34a17.html)
AN APPROACH FOR CATALOGUING PRISON SCRIP (http://www.coinbooks.org/esylum_v17n21a16.html)

Buffalo Nickel Word Jumble Answer

To read the earlier E-Sylum article, see:
NOTES FROM E-SYLUM READERS: AUGUST 12, 2018 : Buffalo Nickel Word Jumble (http://www.coinbooks.org/v21/esylum_v21n32a14.html)

MORE ON THE LUCAS SECRET SERVICE

Last week I asked about the company that made this token offered in the Holabird NTCA auction, wondering if it was a private detective agency.

Bill Hyder writes:

Michael Wehner of San Francisco writes:

LUCAS' DETECTIVE AGENCY / TEL. / SUTTER 585 / 31 YEARS / EXPERIENCE / MOISE K. CO.
A.E. LUCAS / (bloodhound) / PACIFIC BUILDING, S.F., CAL.
TC-221309; K-1478 *** Albert E. Lucas, opened in 1880, token issued in 1911

To read the complete token listing, see:
San Francisco, California (San Francisco County), U.S.A. (https://tokencatalog.com/token_record_forms.php?
action=DisplayTokenRecord&td_id=221309&inventory_id=223750
&td_image_id=122907&attribution_id=224903&record_offset=7)

To read the earlier E-Sylum article, see:
SELECTIONS FROM THE HOLABIRD 2018 NCTA SALE : Lot 195: Lucas Secret Service Token (http://www.coinbooks.org/v21/esylum_v21n34a17.html)

MORE ON BENJAMIN BUTLER FERROTYPES

The segment concerning the possibly unique Benjamin Butler ferrotype / calendar medallet intrigued me.

The Matthew Brady clean-shaven so-called "Cooper Union" ferrotype image of Abraham Lincoln / calendar medallet (the catalogue cover plate) circa 1860 campaign sold for an astonishing $38.5K in the Sotheby's June 1999 Captain Andrew Zabriskie auction, a high water mark for Lincolnia. Today, it might bring $25K. It has interestingly not re-surfaced since then.

John Ford's Stack's 2013 part XXIV auction had both a Grant and a Grant / Colfax 1868 campaign ferrotype set in a calendar medallet, ex- Raymond-Boyd. They sold for several $1,000's apiece and were slightly imperfect, per my in-hand examination.

At this August's biannual national APIC in Springfield Illinois, I acquired a possibly unique Benjamin Butler "shellcard" ferrotype, virtually pristine, with a NY merchant advertisement on the reverse. This is only the 2nd Butler ferrotype I'm aware of now. Cost me $1,000 and I immediately turned down $2K. While typing this, I was surprised to find it was lot 10969 in the above Ford sale where I annotated its condition as "Wow!" and it sold for $881. There was so much in that once-in-a-lifetime sale that one could not buy everything of appeal.

Tom Caldwell adds:

To read the earlier E-Sylum article, see:
ELLIS AND READ PERPETUAL CALENDAR MEDALS (http://www.coinbooks.org/v21/esylum_v21n34a12.html)

VOCABULARY TERM: LINEAR PERSPECTIVE

LEFT: Weiner's Cathedral medals (interior views) are an example of Perspective.
RIGHT: Designer Joel Iskowitz's Fallen Heroes medal is an example of Vaulted Perspective.

Linear Perspective. A view of a scene, person or object that is at eye level and true in proportions as if a photographic print. Linear perspective will exhibit several optical effects including foreshortening and vanishing point in its realistic rendition. It is the most commonly used perspective for coin and medal designs with a straight on, frontal view as if a person sights down his arm pointed toward the subject. The scene or view is such that the image is that which would appear on a picture window pane between the viewer and the object. This is also called a picture plane. Linear perspective on coin and medal designs are expressed as the frontal view, the full face portrait, the facade of a building, or the principle view of an object. In cataloging, linear perspective is considered the normal, all other forms of perspective should be identified. See PERSPECTIVE.
CLASS 02.12

Perspective. How the spatial relationships of a three-dimensional scene or object is expressed on a coin or medal design. This includes the line of sight, the angle or view of vision, and the illusion of depth. Most coin and medal designs are created in LINEAR PERSPECTIVE, a straight on, frontal, single view of the person, scene or object. Every designer must be very obvious in his choice of perspective, as this will influence his design more than any technique or treatment other than the choice of his subject. Any design other than this front view, eye level design is called a “change of perspective,” some of which have formal names listed below, others are merely views from a different angle.

While the linear perspective is the standard, customary view – particularly for coin designs – medallic designs are not as restrictive. Medal designers have added interest with a variety of perspectives by changing the line of sight or the viewer’s eye position. (In this regard the “change of perspective” can be compared to a camera which can be raised or lowered, or moved around for a different angle, or to move in closer, or to back away for a greater field of view.)

Several problems exist in coin and medal design. First, of course, is the extremely small size. For the artist this is a very small canvas to prepare his design. Second is the raised relief of the design, where everything must be expressed in such low relief (often a few thousandths of an inch). The use of any perspectives within these design constrains are the numismatic and medallic artist’s most exacting design problems (and his greatest challenge!).

• Linear perspective. While standing, point your arm toward a scene or object (line of sight). What you see sighting down your arm is linear perspective. Should you photograph that scene or object, the image on the photo print would be a linear perspective. Another example is that of a scene or object viewed through a picture window. Linear perspective is that image that would appear on the window pane. This is also called picture plane.

The artist who chooses to do a mirror image of reality design must use this obvious perspective: face on, eye level, front view, what you see is what you get in the design. In numismatics this is expressed as the frontal view – the full face, the facade of a building or the principle side of an object, its picture plane.

Linear perspective utilizes several artistic techniques, these include: foreshortening – closer things look bigger, distant things are correspondingly smaller. Foreshortening is far more evident when the depth of field is greater, as in scenes. In portraits and most devices it is hardly evident because the depth of field is not that deep.

Linear perspective makes dramatic use of the vanishing point – things at such a great distance will be so small as to vanish, as the railroad tracks come to a point and vanish in the distance. The medals of Jacques Wiener are the most obvious of this kind of perspective.

Linear perspective also makes use of the ground line – which is often the BASE LINE – or a HORIZON line, although these may, or may not, be expressed in any numismatic or medallic design.

• Aerial perspective. An AERIAL VIEW is that as seen from above, as from an airplane, looking down usually on some small geographical area. It is also called BIRD’S EYE VIEW, as if seen from the eye of a bird. The technique can give a lot of meaning to a number of buildings and has been widely used for World’s Fairs since 1851.

Blueprints have a top view, the equivalent of aerial view; a side view, like linear perspective, and often a perspective view. While aerial view is a “map” of many features seen from above, the original concept of aerial perspective was identified and named by Leonard da Vinci. He also related it to the declining colors of distant objects. The opposite of aerial perspective is vaulted perspective.

• Vaulted perspective. Instead of looking down, as with aerial perspective vaulted perspective employs the line of sight looking skyward, looking upwards. Tall things like tall trees or buildings come together like the inside of a valulted ceiling. Dramatic medallic designs have been made of this perspective.

• Mixed perspective. Many views, each with its own different perspective, as an artistic arrangement of one medallic design, is known as mixed perspective. An example is the American Law Publishing Medal by Frank Eliscu.

• Other perspectives. Angular, parallel and panoramic perspectives are other tools of the designer, perhaps with limited application to coin and medal design. Conceivably, however, these perspectives could be employed by daring designers for perhaps some quite dramatic medallic art.

Position of the viewer’s eye. While linear is the normal, should the designer move in any direction to change the view, up or down, sideways, forward or backward, this is a change of perspective. Film directors have raised this technique to a fine art, as the camera angle changes often in motion pictures. This is done to add interest, highlight details and emphasize dramatic scenes. It keeps a film from becoming boring. It could do the same in medallic art when coin and medal designers occasionally change the perspective in their designs.

Creating an illusion of depth. Coin relief is about 1/32nd of an inch deep; medal relief can be higher, say as much as 3/8th of an inch. How can a designer indicate vast depth in these restrictive dimensions? The answer is in BAS-RELIEF. This sculptural technique enables the designer and modeler to give the perception of distance by extreme compression. A battle scene stretching for miles, for instance, can be shown on a coin or medal in bas-relief within these parameters. The inside of an immense cathedral can be shown on a 3-inch medal that includes exensive architectural detail (the Wiener medals illustrated herewith). Bas- relief gives designers this amazing sculptural ability once it is mastered.

Cataloging perspective. Any perspective other than linear should be identified when cataloging any coin or medal. Since linear perspective is considered the normal, any other should be identified.
CLASS 02.12

Looking for the meaning of a numismatic word, or the description of a term?  Try the Newman Numismatic Portal's Numismatic Dictionary at: https://nnp.wustl.edu/library/dictionary

Or if you would like a printed copy of the complete Encyclopedia, it is available. There are 1,854 terms, on 678 pages, in The Encyclopedia of Coin and Medal Technology. Even running two a week would require more than 19 years to publish them all. If you would like an advance draft of this vital reference work it may be obtained from the author for your check of $50 sent postpaid. Dick Johnson, 139 Thompson Drive, Torrington, CT 06790.

JULIUS LEWIS BROWN (1848-1910)

Julius Lewis Brown (1848-1910), was born on May 31, 1848, the eldest of eight children, son of Joseph Emerson Brown (1821-1894), Governor of Georgia, Chief Justice, and U. S. Senator, and Elisabeth Grishom Brown (1826-1896), at Canton, Cherokee County, Georgia.

During the Civil War Julius turned down his father's offer to send him to Europe for his education choosing instead the Georgia State Military Academy. Brown and his brother cadets formed a militia to defend Athens. Brown was placed in charge of guarding Yankee prisoners. In 1864, he joined Company A and defended Atlanta. He fought with Wheeler's calvary and slowed down Sherman's advance to Savannah. He was part of the rear guard on the retreat from Savannah. Afterwards he went to Georgia Tech.

He graduated Harvard Law School in 1870. He worked as an attorney at Atlanta Georgia and was the attorney for Western & Atlanta Railroads (1870-1890), and as General Counsel for the State of Georgia co-incorporator of the Metropolitan Street Railroad.

As an initial investor with his father he became president of the Georgia Mining, Manufacturing and Investment Company. He also became president of the Walker Monument Association in the erection of the monument to Confederate Major General William Henry Talbot Walker (1816-1864), killed at the Battle of Atlanta.

Brown began writing the Chapman Brothers in the first half of 1878 attested to by correspondence found in the Lupia Numismatic Library, Special Collection, The Chapman Family Correspondence Archive. He purchased many rarities from the Chapman Brothers including Proof Stellas, Bechtler gold pieces, colonials, 1776 Proof Pattern Pewter Continental Dollar, ancients - including a Philip II stater VF, 1795 UNC Eagle, 1795 UNC Silver Dollar, 1799 Cent VG, and European pieces. He also collected many rare Confederate notes and other collectible items.

From 1879-1881, he was a Corresponding Member of the ANS.

Since all his children predeceased him, in 1907, he appointed his brother Joseph MacKey Brown (1851-1932), of Marietta, Georgia, who served as Governor of the State of Georgia, as his executor, empowering him to sell his "library, autographs, coins, jewels, watches, miniatures, fans, porcelains, potteries, Indian relics, arms, paintings, engravings, ivories, glass, clocks, swords, bric-a-brac, &c., &c." to pay any outstanding debts due on his estate.

He died on September 4, 1910, at his home in Atlanta, Fulton County, Georgia. His funeral was held at the Second Baptist Church which was built by his father. The service was attended by his immediate family, brother Masons, Knight Templars, Confederate Army Veterans, Georgia Military Academy Cadets, distinguished members of the Atlanta Bar Association, and the illustrious citizens of Atlanta. He is buried in Oakland Cemetery, Fulton County, Georgia. Brown also served as president of the Mystic Owls.

His coin collection was sold posthumously nearly nine months after his demise by order of his executor, his brother who was the Governor, Joseph MacKey Brown, through Samuel Hudson Chapman.

The Collection comprised 1242 lots. The catalogue was published with 7 plates in large format. A list of highlights of the sale together with prices realized were published in The Numismatist, June (1911) : 216

Lot 343 was a rare gold 8 escudos from the Lima, Peru Mint 1741, that was plugged and countermarked being regulated in 1780 by Joseph Edwards, Jr. (1737-1783), a goldsmith at Boston to $15.

Shortly following the Chapman sale another auction was held in Boston by Charles F. Libbie, on June 7-8, 1911, selling his library [Part 1] and medal collection [90 pages 1168 lots] (McKay 6999). A second Libbie sale followed on January 10-11, 1912, selling Mary B. Hathaway autograph collection Part III, together with the autograph collection of Julius L. Brown [98 pages, 1476 lots] (McKay 7062). Among his autographs are important correspondence regarding the Mexican war.

The Brown family papers are known as MS 785 in the University of Georgia archives.

To read the complete article, see:
BROWN, JULIUS LEWIS (https://sites.google.com/a/numismaticmall.com/www/numismaticmall-com/brown-julius-lewi)

To read the complete Chapman catalog, see:
CATALOG OF THE HISTORICAL COLLECTION OF GOLD, SILVER AND COPPER COINS OF ANCIENT GREECE AND ROME, EUROPE, THE UNITED STATES, MEXICO AND SOUTH AMERICA, FORMED BY THE LATE JULIUS L. BROWN, ESQ., ATLANTA, GEORGIA. SOLD BY ORDER OF HIS EXECUTOR, HON. JOSEPH M. BROWN, GOVERNOR OF GEORGIA. (https://nnp.wustl.edu/library/auctionlots?AucCoId=22&AuctionId=510992)

To read the earlier E-Sylum article, see:
SEDWICK MAY 2018 AUCTION HIGHLIGHTS (http://www.coinbooks.org/v21/esylum_v21n19a25.html)

The entire inventory of the Lupia Numismatic Library is for sale. Individual items will be available before the remaining archives are broken up into parcels sold at philatelic auctions in the U. S. and Hong Kong. Check NumismaticMall.com frequently as dozens of new items with estimates will be posted daily until everything is sold.

All inquiries will be given prompt and courteous attention. Write to: john@numismaticmall.com .

SELLING BREEN'S COMPLETE ENCYCLOPEDIA

P. Scott Rubin writes:

To read the earlier E-Sylum article, see:
WALTER BREEN'S COMPLETE ENCYCLOPEDIA (http://www.coinbooks.org/v21/esylum_v21n32a07.html)

THE ANA'S MORITZ WORMSER MEMORIAL COLLECTION

The ANA’s Edward C. Rochette Money Museum has one of the world’s most spectacular numismatic collections, including pieces from every country, time and genre. The collection’s origins date to 1928, thanks in large part to the efforts of Moritz Wormser (1878-1940), one of the most prominent leaders in the Association’s history.

Born in Heidelberg, Germany, Wormser grew up in Wiesbaden, where he developed an interest in coins at age 12. After his parents died, he moved to the United States in 1898 to live with an uncle. He received degrees from Columbia University in 1899 and 1903, and Colorado College in 1900. Professionally, Wormser worked as an engineering contractor until 1911, then turned to finance until opening a coin shop in 1936.

Wormser had many collecting specialties, including silver thalers, portrait coins featuring notable women, and Asian rarities. He was able to recognize great specimens with a quick glance. One of the first Americans to specialize in world gold coinage, Wormser acquired a remarkable collection of rare Transylvanian gold and silver coins; his research on the subject was published in 1915. He was a Fellow of the American Numismatic Society and served as treasurer of the New York Numismatic Club.

In 1912 Wormser joined the ANA and five years later was elected to its Board of Governors. He was elected chairman of the Board in 1919 and in 1921 became ANA president. After four re-elections, Wormser stepped down in 1926 having served the longest term of any ANA president before or since, but remained on the Board for another decade. In the December 1923 issue of The Numismatist he suggested a weeklong celebration called Coin Week. In April 2018, the 95th annual National Coin Week was observed.

A permanent monument to the considerable legacy of this icon is the Moritz Wormser Memorial Collection, consisting of all objects amassed by the ANA until its permanent headquarters was built in 1967. Wormser was longtime chairman of the ANA’s Coin Purchasing Committee, and arrangements were made between the Association and the Smithsonian Institution for the storage and exhibition of loaned coins belonging to the ANA. In 1928 the Smithsonian received the first 63 specimens, with subsequent shipments continuing periodically until 1966.

Upon Wormser’s death in 1940, fellow ANA Numismatic Hall of Famer David Bullowa became the Coin Purchasing Committee’s chairman. On December 21, 1940, Bullowa sent a letter to the Smithsonian stating that the ANA specimens in its possession would thereafter be referred to as the “Moritz Wormser Memorial Exhibit of the American Numismatic Association” (later renamed the Moritz Wormser Memorial Collection).

The collection consists of about 3,600 coins, medals and paper money from ancient to modern times. Because Wormser traveled extensively around the world, the collection is particularly strong in contemporary world coinage, especially from Europe, and includes objects acquired by committee members and donations from ANA members. It comprises some of the Association’s most interesting pieces, such as a 1933 eagle, a 1928 Chinese “Auto Dollar,” a 1934 Australian proof half penny and many world gold pieces. A 1928 German 3 reichsmark has the distinction of having Accession No. 1963.1.1—the first numerically identified object in the ANA’s vast holdings.

To read the complete article, see:
Tales From the Vault: The Moritz Wormser Memorial Collection (https://www.money.org/ana-blog/wormser)

WILLIAM AND CHARLES BARBER EXHIBIT

The groundbreaking exhibit on display at the LSCC table (and the BCCS table as well) was probably the most important on the entire floor of the recently held ANA World’s Fair of Money. Thanks to the generosity of the Trepagnier family, the club exhibits presented historic artifacts of William and Charles Barber, the 5th and 6th Chief Engravers of the U.S. Mint. William Barber designed the Liberty Seated Double Dime (twenty cents) and the Trade Dollar. The items on exhibit provided new insights into both engravers, and changes much about what we know about them. The LSCC exhibit was entitled William Barber Revealed!

To make things even more memorable, one of William Barber’s great-great-grandsons, Pierre Trepagnier, and his wife Louise, came to Philadelphia for the ANA Convention. After they were introduced as special guests at the LSCC Annual Meeting, they adjourned with us upstairs to the bourse floor, where they were awestruck seeing their own artifacts on display with many others from Pierre’s brother, who was unable to attend.

A complete view and detailed description of each of the 12 cases of the William and Charles Barber exhibit is on the following pages of this issue of the E-Gobrecht, for your enjoyment in case you were unable to come to Philadelphia.

Cases 3 and 4

To read the complete article online, see:
http://www.lsccweb.org/164-E-Gobrecht-Volume14-Issue9.pdf

For more information about the Liberty Seated Collectors Club, see:
http://www.lsccweb.org

LIBERTY SEATED COLLECTORS CLUB AWARDS

For more information about the Liberty Seated Collectors Club, see:
http://www.lsccweb.org

MINT SEEKS ARTISTIC INFUSION PROGRAM APPLICANTS

The United States Mint is pleased to announce a call for artists to participate in its Artistic Infusion Program (AIP). Established in 2003, the AIP serves to enrich and invigorate the design of United States coins and medals by developing a pool of outside artists in graphic design, sculpture, engraving, drawing, painting, and other visual arts. These artists work closely with the United States Mint’s staff, including Sculptor-Engravers, to create and submit new designs for selected coin and medal programs throughout the year. Interested artists are invited to submit applications for consideration.

The designs of AIP artists adorn many United States coins and medals, such as America the Beautiful Quarters® Coins, Native American $1 Coins, Commemorative Coins, Platinum Proof Coins, Congressional Gold Medals, American Liberty Gold Coins, and various silver and bronze medals.

Artists who join the AIP work under a task order contract from their own studios across America, providing candidate designs in the form of finished drawings. Artists are paid $2,000 to $3,000 per assignment and are awarded a $5,000 bonus if the Secretary of the Treasury selects their design for a coin or medal. In addition to the bonus, the artist’s information is included in historical documents, Certificates of Authenticity, and promotional materials. In most cases, the artist’s initials appear on the final coins or medals along with the initials of the Sculptor-Engraver who sculpted the selected design.

The United States Mint will be accepting applications for the program beginning September 3, 2018. Applicants must fill out an application form and submit five to 10 images of work from their portfolio. Artists may also be asked to provide a resume. Once reviewed, the Mint will invite selected artists to participate in a further evaluation round, which will require the development and submission of a demonstration design for which each selected artist will be paid a fee of $1,500.

The Mint is especially interested in artists who will bring innovative perspectives and utilize symbolism in their work to clearly and evocatively convey subjects and themes. From portraits and landscapes to depictions of notable achievements in American history, coin and medal designs require rendering a range of subjects and themes on a small space.

The United States Mint has issued an open call for artists to design the nation’s coins and medals as part of its its Artistic Infusion Program. The government is particularly interested in artists who will “bring innovative perspectives and utilize symbolism in their work to clearly and evocatively convey subjects and themes,” according to the program’s press release.

Who will judge the submissions? None other than Treasury Secretary Steven Mnuchin, a former hedge-fund mogul and son of Manhattan art dealer Robert Mnuchin. Steven was also previously a board member at the Los Angeles Museum of Contemporary Art, but stepped down after seven years to accept President Trump’s nomination to the treasury post.

To read the complete article, see:
Show Him the Money: Treasury Secretary Steven Mnuchin Is Judging an Open Call for Artist-Designed Coins (https://news.artnet.com/art-world/steven-mnuchin-judges-artists-designed-coins-1338767)

To read the complete press release, see:
United States Mint Announces Call for Artists (https://www.usmint.gov/news/press-releases/united-states-mint-announces-call-for-artists)

For additional information, see: CALL FOR ARTISTS (https://www.usmint.gov/learn/artists/call-for-artists)

2019 AMERICAN LEGION COMMEMORATIVE COIN DESIGNS

The American Legion was founded March 15, 1919, in Paris, France, out of concern for the welfare of soldiers and the communities they returned to in the United States after World War I. The non-partisan organization is the nation’s largest veterans group, with nearly two million members in more than 12,000 posts throughout the United States. Membership is open to men and women alike, regardless of ethnic background or religious affiliation.

The Legion focuses its efforts in four areas: Veterans Affairs and Rehabilitation, Children and Youth, National Security, and Americanism. These areas are known as “the Four Pillars” of American Legion service. Throughout its years of service to the nation, it has been a catalyst for social change and it has recorded myriad accomplishments. The Legion’s advocacy on behalf of veterans has been instrumental in the passage of numerous legislation including the Servicemen’s Readjustment Act of 1944, better known as the GI Bill, and multiple legislation to advance government recognition and promote effective treatment of service-connected conditions.

The Legion has awarded millions of dollars in Child Welfare Foundation grants and college scholarships, and has implemented numerous programs and services to assist veterans, their families, and the community.

About the Coins
The American Legion 100th Anniversary Commemorative Coin Act (Public Law 115–65) authorizes the United States Mint to strike and issue up to:

50,000 $5 Gold Coins
400,000 Silver Dollar Coins
750,000 Clad Half Dollar Coins

Recipient Organization
Coin prices include surcharges of $35 for each $5 gold coin, $10 for each silver dollar coin and $5 for each half dollar coin. The Public Law authorizes the Mint to pay the surcharges to The American Legion to support the Legion’s programs for veterans, members of the Armed Forces, and other purposes specified by the authorizing legislation.

To read the complete press release, see:
American Legion 100th Anniversary Commemorative Coin Program (https://www.usmint.gov/learn/coin-and-medal-programs/commemorative-coins/american-legion-100th-anniversary)

The obverse (heads) design commemorates the inception of the American Legion and its mission to serve America and its war veterans. The outer geometric rim design from the American Legion emblem, the Eiffel Tower, and V for victory, represent the formation of the organization in Paris in 1919 at the end of World War I.

The reverse (tails) design depicts a soaring eagle, a symbol of the United States during times of war and peace alike. The American Legion emblem is depicted above the eagle.

Obverse
Sculptor: Phebe Hemphill, Sculptor-Engraver
Designer: Chris Costello, Artistic Infusion Program

Reverse
Sculptor: Joseph Menna, Sculptor-Engraver
Designer: Paul C. Balan, Artistic Infusion Program

The obverse (heads) design depicts the American Legion emblem adorned by oak leaves and a lily, commemorating the founding of the American Legion in Paris, France.

The reverse (tails) design depicts represents the founding of the American Legion in Paris in 1919. Above the crossed American and American Legion flags is a fleur de lis and the inscription “100 Years of Service.”

Obverse
Sculptor: Renata Gordon, Sculptor-Engraver
Designer: Paul C. Balan, Artistic Infusion Program

Reverse
Sculptor: Michael Gaudioso, Sculptor-Engraver
Designer: Patricia Lucas-Morris, Artistic Infusion Program

The obverse (heads) design depicts two children standing and reciting the Pledge of Allegiance, the little girl proudly wearing her grandfather’s old American Legion hat.

The reverse (tails) design completes the phrase from the obverse “I pledge allegiance to the flag… of the United States of America.” The design depicts an American Flag waving atop a high flagpole as seen from the children’s point-of-view from the ground below. The American Legion’s emblem is featured just above the flag.

Obverse
Sculptor: Phebe Hemphill, Sculptor-Engraver
Designer: Richard Masters, Artistic Infusion Program

Reverse
Sculptor: Joseph Menna, Sculptor-Engraver
Designer: Richard Masters, Artistic Infusion Program

U.S. MINT AND BEP JOIN MARKETING FORCES

The Bureau of Engraving and Printing (BEP) and the United States Mint (Mint) have formed a strategic alliance to sell BEP numismatic products through the Mint’s e-commerce system beginning this fall. This collaboration will offer collectors, gift-givers, and other customers a better experience and greater variety of numismatic coin and currency products.

Effective Monday, October 1, 2018, BEP products will be available for online purchase only through the Mint’s online store at https://catalog.usmint.gov or by calling 1-800-USA-MINT (872-6468). Hearing and speech impaired customers with TTY equipment may order by calling 1-888-321-MINT (6468). BEP products will still be available at the BEP visitor center gift shops in Washington, DC and Ft. Worth, Texas, and select BEP products will be available at Mint retail locations in Washington, DC; Philadelphia, PA; and Denver, CO. BEP bulk sales customers should continue to place orders through the BEP at 1-800-456-3408.

Please note that BEP online customer accounts will not be automatically transferred to the Mint. BEP customers are encouraged to set up new accounts on the Mint’s website to take advantage of the Mint’s enrollment program, to track purchases of BEP products, and to receive BEP and Mint product and promotion notifications.

As of Monday, September 17, 2018, the BEP will no longer accept orders through BEP’s online store, https://moneyfactorystore.gov, nor its telephone sales department in preparation for the transition. Messaging to that effect will be posted. Beginning October 1 at 8:00 a.m. (ET), the moneyfactorystore.gov website will no longer be accessible, and BEP will redirect online and social media sales traffic to the Mint’s website.

The BEP and Mint are very excited about this new partnership and look forward to providing their global customers with a unique selection of products and continued excellence in customer service.

The Bureau of Engraving and Printing and the United States Mint – Connecting America through Coins and Currency

To read the complete article, see:
Bureau of Engraving and Printing and United States Mint Merge E-Commerce Solutions for Better Customer Experience (https://www.usmint.gov/news/press-releases/bureau-of-engraving-and-printing-and-united-states-mint-merge-e-commerce-solutions-for-better-customer-experience)

THE 50 STATE QUARTERS PROGRAM

Looking back, the state quarter series played an important role in reshaping American numismatics by reinvigorating interest in collecting coins from circulation, which in many cases led those who did so to collect other coins as well.

In addition, while many of the designs of the state quarters have been described as lacking in artistic merit, the series was a success because collectors were so tired of seeing dead presidents in their change, and the public embraced the new designs. Critics have said many of the designs were too simple or lacked dimensionality, but defenders would respond that they were intended as narrative art, not as miniature masterpieces, and that only so much detail is appropriate for a small canvas.

Overall, the series undoubtedly helped reinvigorate modern U.S. coin design. There are some great designs too such as the Nevada quarter showing several mustang horses running, designed by former Mint sculptor-engraver Don Everhart, and others.

To read the complete article, see:
The Coin Analyst: The 50 State Quarters Program 20 Years Later (https://coinweek.com/modern-coins/the-coin-analyst-the-50-state-quarters-program-20-years-later/)

MEDAL SELECTIONS FROM NUMISMAGRAM: SEPTEMBER 2018

Ernst August and Viktoria Luise Marriage Medal

100363 | GERMANY. Braunschweig (Brunswick). Ernst August with Viktoria Luise silver Medal. Dated 1913. Commemorating the Royal Marriage (33mm, 17.85 g, 12h). By L. C. Lauer in Nürnberg.

VIKTORIA LOUISE PRINZss v PR • ERNST AUGUST HERZG zu BRAUNSCHW LÜNEBG, facing busts of Viktoria Luise and Ernst August / Two crowned coats-of-arms within wreath of roses. Edge: SILBER 990.

Brockmann 580; Fiala 5954. Choice Proof. Deeply toned near the peripheries, exceedingly lustrous and brilliant, though with a fair degree of hairlines.

The marriage of Ernst August and Viktoria Luise, which took place on 24 May 1913, was a gallant affair with over 1,000 guests in attendance. Given the union's political importance (it ended the long-standing rift between the Houses of Hannover and Hohenzollern) and familial connections (Ernst August was, on his paternal side, the great-grandson of another Ernst August, the fifth son of Great Britain's King George III, and, on his maternal side, the grandson of King Christian IX of Denmark, the "father-in-law" of Europe––while Viktoria Luise was, on her paternal side, the daughter of the German Emperor Wilhelm II and the great-granddaughter of Great Britain's Queen Victoria), it served as an important and momentous European gathering.

Noteworthy guests were Wilhelm's cousins––Great Britain's King George V and wife Mary, along with Russia's Czar Nicholai II and wife Alexandra. The wedding represented the largest gathering of reigning monarchs in Germany since her unification in 1871, and one of the final grand events before Europe, and much of the world, would be plunged into the chaos of World War I little over a year later.

To read the complete item description, see:
100363 | GERMANY. Brunswick. Ernst August with Viktoria Luise silver Medal. (https://www.numismagram.com/product-page/100363)

Le Cynocéphale Plaque

100381 | FRANCE. Bronze Plaque. Issued 1906. "Le Cynocéphale" (60x53mm, 88.57 g, 12h). By P. Jouve in Paris.

Simian cynocephalus (dog-headed monkey) seated left, holding ushabti (Egyptian funerary figurine) / Four monkeys seated left and facing upon tree branch. Edge: «hallmark» BRONZE «hallmark» 134.

Maier 37. Choice Mint State. Pleasing yellow-brown surfaces, with a delightful matte appearance; a few light spots on the reverse. Very rare and extremely interesting. Compare to a similar example in iNumis (3 May 2018), lot 202 (which realized a hammer of €820 [plus buyer's fee]).

A characteristic which has existed in various mythologies and art forms since antiquity, cynocephaly comes from the Greek ???? (dog) and ?efa?? (head). Some deities in the Egyptian pantheon were represented with the heads of jackals and, in Christianity, St. Christopher was oft-depicted as such, while Paul the Deacon refers to the phenomenon in his Historia gentis Langobardorum.

Paul Jouve, having created the sculpture which inspired this plaque, added to this tapestry with an interesting arrangement featuring a dog-headed monkey holding a relic of the past, an Egyptian figurine, also dog-headed, blending the past with the present. The holder of the relic possesses a near-human level of contemplation as it considers this similar-looking ancient object. On the reverse, though the monkeys feature no cross-species characteristics, the iconic "see no evil, hear no evil, speak no evil," a decidedly anthropomorphic trait, can definitely be felt.

To read the complete item description, see:
100381 | FRANCE. "Le Cynocéphale" bronze Plaque (https://www.numismagram.com/product-page/100381)

Andrées Polar Expedition Medal

100400 | SWEDEN & NORWAY. Salomon August Andrée & Fridtjof Nansen white metal Medal. Issued 1897. The Scandinavian Polar Expeditions (50, 53.45 g, 12h). By A. Högel in Stockholm.

ANDRÉES POLAR EXPEDITION / FRÅN GÖTEBORG DEN 7 JUNI 1896, hot air balloon Örnen flying over representation of the earth, centered upon the North Pole; to upper left, bust of Andrée right within oval medallion / FRIDTHIOF NANSEN / FRÅN KRISTIANIA DEN 24 JUNI 1893, the Fram under sail left upon the ocean; at center, bust of Nansen facing slightly left within oval medallion. Edge: Plain.

Malpas 156. Choice Mint State. Exceedingly lustrous and brilliant, with a few scattered marks. Great aviation and nautical type.

In 1897, S. A. Andrée led a hydrogen balloon expedition which was intended to see its explorers go from Svalbard (a Norwegian archipelago situated halfway between Norway and the North Pole) to either Canada or Russia, passing over the geographic North Pole in the process. The trip was ill-fated, however, and the balloon crashed only a few days into its journey. While the crew was uninjured, it was left deserted on the uninhabited ice cap island of Kvitøya as winter was approaching. Photographs taken by the crew were eventually developed when their exposed film and belongings were discovered decades later, the mystery of their fate finally being answered.

Equally as challenging, Fridtjof Nansen had been pondering an expedition to the North Pole since the early 1880's. After observing wreckage from a ship wash up near Greenland (on the opposite side of the Arctic whence it had gone asunder), the theory was made that there was, in fact, an ocean current even near pole. Nansen believed that he could sail northward until pack ice was encountered, at which point the engines would be powered down and rudder raised, allowing the vessel to be frozen with the ice, drifting along with the Arctic current and hopefully across the North Pole. The theory was correct, but very unpredictable, and Nansen made the calculation that the crew would not endure the lengthened time of the journey (five years had been planned). Nansen and Hjalmar Johansen then broke away and attempted to pursue their polar destination through dog sledding. Though they were able to get further north than anyone prior in recorded history (86°13.6'N), Nansen again made the calculation that supplies would not allow a completion, and they began their retreat, ultimately rejoining their crew nearly a year-and-a-half after parting ways with them while the Fram was still stuck in ice.

To read the complete item description, see:
100400 | SWEDEN & NORWAY. Andrée & Nansen white metal Medal. (https://www.numismagram.com/product-page/100400)

NUMISMATIC NUGGETS: SEPTEMBER 2, 2018

Constantine I Follis

Constantine I (AD 307-337). AE Follis, Constantinople. Obv: CONSTANTINVS MAX AVG, Laureate head right. Rev: LIBERTAS PVBLICA / B / CONS, Victory standing facing on galley, head left, holding wreath in each hand.

To read the complete lot description, see:
Roman Empire - AE Follis, Constantine I (AD 307-337). Constantinople. - Bronze (https://auction.catawiki.com/kavels/20680693-roman
-empire-ae-follis-constantine-i-ad-307-337-constantinople-bronze)

Observationes et Conjecturæ in Numismata Quædam Antiqua

Lorenz Beger, Observationes et Conjecturæ in Numismata Quædam Antiqua. Coloniae Brandenburgicae . MDCXCI. Engraved medals and illustrations within text on most pages. [24], 61, blank, [126], [24] pages. quarto, contemporary vellum; browned, lacking one blank, manuscript note tipped onto leaf in second section. Collation is quite complex.

To read the complete lot description, see:
Observationes et Conjecturæ in Numismata Quædam Antiqua (https://www.abebooks.com/servlet/BookDetailsPL?bi=30038532831)

1796 Quarter

Sharp first year Quarter is an important coin for all serious silver collectors. This one well made with large, bold denticles and light golden reddish color highlighting the devices. These have actually gotten a little cheaper in the last few years, making them an excellent value play for significant blue chip key date first year early type put away for a rainy day coin.

To read the complete lot description, see:
1796 25C PCGS AU53 (http://hlrc.com/Inventory/CoinViewer?id=868816014&c=23)

Pigeon Award Medal

France PIGEON AWARD copper 50mm by Briquemont

To read the complete lot description, see:
France PIGEON AWARD copper 50mm by Briquemont (https://www.ebay.com/i/163152240866)

Ronald Reagan Medal Of Merit

Ronald Reagan (1911 - 2004)
Lot 417: Ronald Reagan Medal Of Merit
Description: 2" Diameter. In Case.

To read the complete lot description, see:
Lot 417: Ronald Reagan Medal Of Merit (https://www.invaluable.com/auction-lot/-1-c-A4C4509955)

This is the original Medal of Merit presented by Ronald Reagan and the Republican National Committee to contributors to the Republican party. In the original box.

To read the complete lot description, see:
Ronald Reagan Medal of Merit in Original Box (https://www.loriferber.com/ronald-reagan-medal-of-merit
-in-box.html?gclid=CjwKCAjw8ajcBRBSEiwAsSky_X-KfXvU8Fw6Y8r5sL
dwRF5bffAfRs14TsJf7G4BaPewyoVeTOvwIBoC5a4QAvD_BwE)

Salvador Dali Medals for Calgary Olympic Games

Casket containing 5 silver medals (999.9). Diameter 3cm
Representing :
- Horse riding and jumping
- Archery
- Pole vault
- Swimming
- Memorial medal celebrating the Americano-Canadian frenship during the Calgary 88 Olympic games.

To read the complete lot description, see:
Salvador DALI Casket containing 5 commemorative silver medals. (https://www.lotprive.com/en/buy/post-war-modern-art/salvador-dali-casket-containing-5-commemorative-silver-medals-299276)

MORMON MONEY IN KAGIN'S SEPTEMBER 2018 SALE

Mormon Coins and Currency, SSCA Gold Ingot Highlight Kagin’s West Coast Auction

An offering of forty lots of popular Mormon gold, copper and Paper Currency is one of the features of Kagin’s West Coast Auction held in conjunction with the Santa Clara Expo, September 21 at the Santa Clara, Ca. Convention Center. The LDS Mormon Collection of gold coins includes high grade specimens of an elusive 1849 $2 ½ NGC AU-58, the 1849 $5 in PCGS AU-58 and an NGC AU-58 1850 $5. These are followed by four different varieties of the 1897 Mormon Commemorative Restrikes struck from the original dies-- two of which are finest known.

The Mormon currency in the collection is among the finest offering of this series ever! A very rare uncut sheet of four Kirtland Safety Society Bank notes graded AU-50 EPQ is the finer of just two sheets certified by PMG. The individual Kirtland Notes include Finest Known Gem CU-65 $5 and $10 specimens as well as some of the finest $20, $50 and $100 denominations. There are also three “Anti-Banking” notes and two high grade “Countersigned” $5 and $10 notes hand signed by both Joseph Smith and Brigham Young. The latter is tied for the second finest certified. Other notes include rare Bank of Monroe notes signed by Oliver Cowdery, a set of the 1849 “White or Valley Notes” including three which are the finest certified, a rare Deseret Currency Association note and a Deseret National Bank Note signed by Joseph Smith.

Another highlight of the sale is a hefty 85.35 Ounce Kellogg & Humbert gold ingot recovered from the most valuable numismatic shipwreck, the S.S. Central America. The gold content alone approaches six-figures. Additional Gold Rush financial documents, nuggets and ancillary material are part of this sale.

Besides Colonial and Federal copper, silver, gold and commemorative coins, there is a selection of Pioneer and California Fractional Gold and artifacts.

Specialized collections include a So-called Dollar collection of Pan Pacific coins and Columbian World’s Fair Match safes as well as other tokens, medals, Exonumia and Hawaiiana.

Of particular interest to Northern California collectors, historians and currency enthusiasts is one of the finer Emperor Norton I notes listed in The 100 Greatest American Currency Notes.

Additional banknotes include federal and fractional currency, errors and Confederate currency.

for more information, see:
https://www.kagins.com/

EMPEROR NORTON BOND IN KAGIN'S SALE

San Francisco’s Own Emperor Norton I Featured in Kagin’s West Coast Auction

One of the finest examples of the famous “Emperor Norton I” bond or banknote is being offered for sale Friday, September 21, by Kagin’s Auctions in conjunction with the Santa Clara Expo Coin and Stamp show held at the Santa Clara Convention Center. The 50 Cent Bond, dated August 1, 1878 is just one of less than 40 known. It is estimated to bring $15,000-$25,000.

There are few historical figures more intriguing or beloved than that of Joshua Norton, the prominent 19th century business man turned eminent eccentric, and our nation’s first “Emperor” Presiding over San Francisco in the years following the Gold Rush, Norton is today known best by his self-assumed title as Norton I, Emperor of the United States and Protector of Mexico.

The Early History of Joshua Abraham Norton

Born in London in the aftermath of the French revolution and Napoleonic Wars, the infant Joshua Abraham Norton (1818-1880) relocated with his family to Cape Town, South Africa in 1820. With the execution of Louis XVI and other members of the French royal family during the revolution, rumors of missing heirs to the French throne were common. In a particular mental quirk, the young boy grew up believing he was one, hidden for safety within a Jewish family. Years later, in 1886, Norton revealed this long-kept “secret” to a South African friend in San Francisco. Norton told him that he was “a crown prince to the throne of France.” In memory of his not-so-humble origins, Norton carried a silver 1828 Bourbon franc till his dying day.

An undistinguished stint as a shopkeeper and the death of his father inspired Joshua Norton to use his inheritance to build a fortune elsewhere than South Africa. He caught gold fever and arrived in San Francisco in November 1849, where he promptly became a commission merchant. He could judge the market for goods when ships arrived from varied cargoes, sought out buyers, and sold the merchandise for a percentage of the sale price.

Norton’s profits went into real estate, and soon he had three of four corners at the intersection of Sansome and Jackson Streets. A rice mill, the first in the city to hull this grain, grew on one; a cigar factory, which turned cheaply-imported tobacco into a saleable product, sprouted on the second; and an office building opened on the third. His water lots – purchased with the hope that encroaching bayfill would make them the city’s new waterfront – in the meantime held the abandoned brig Genesee. As the great sidewheel steamers of the Pacific Mail Steamship Company docked semi-monthly next to this small two-master, Norton wisely made it into a storeship.

Growing wealth and prominence led to Joshua Norton’s participation in civic affairs. In the summer of 1851, noted business leaders formed a Committee of Vigilance to suppress crime. Norton was member #339, but he abhorred summary justice. His persuasiveness and devotion to civil rights convinced the Committee to allow the accused to present a defense.

Emperor Norton I’s Regime

Joshua Norton’s educated demeanor, wealth and business skill made him an esteemed member of San Francisco society. When talk turned to politics, Norton defended the English monarchy and declared, “If I were Emperor of the United States, you would see changes.” His friends quickly dubbed him “Emperor,” but Norton actually was not joking. Later, he decided his reign had begun in 1852.

That year also brought him financial disaster. In December, in an effort to corner the rice market, Norton bid 12.5 cents a pound for a recently arrived cargo of then scarce rice. Within days, inexplicably, ship after ship glutted the market with excess rice, reducing the selling price to 3 cents. Not only did Norton initially lose money, but the business depression of 1854, financial panic of 1855, long legal battles over the rice contract, and avaricious bankers drained his resources entirely. Fewer and fewer commissions came his way, and in 1856, 1857, and 1858, Norton declared bankruptcy.

Obviously depressed, Norton exited from society. He reappeared however on September 17, 1859, apparently reborn, when he delivered a document to the San Francisco Evening Bulletin. Now a self-styled savior for the ills of society, Norton announced “the peremptory request of a large majority of citizens of these United States. I, Joshua Norton…declare and proclaim myself Emperor of these U.S.” Norton called a convention to be held February 1, 1860, in order to “ameliorate the evils under which the country is laboring, and thereby cause confidence to exist, both at home and abroad, in our stability.” From then on, he was Norton I.

“In order to give weight, Precedence and legality to our Orders,” Norton proclaimed on June 10, 1862, “We do hereby Command the Leaders of the Hebrew, Catholic and Protestant Churches to sanctify and have us crowned Emperor of the U.S. of America and Protector of Mexico.”

While one may say he was a bit delusional, he was also quite prescient, suggesting the bridging of San Francisco Bay as well as tunneling underneath it; two ideas which came to fruition long after his death in the building of the San Francisco-Oakland Bay Bridge and the Transbay Tube.

Norton I advocated religious and social tolerance. “Religion is like a beautiful garden,” he declared, as he worked in 1871 for “the establishment of a Universal Religion.” The next year, Norton “Hereby prohibit[ed] the enforcement of the Sunday Law,” since it discriminated against Germans and Jews.

Norton was also an early advocate of racial integration. As the post-Civil War fight for school integration heated up in the mid-1870s, he reasoned, “Whereas the American nation having acknowledged the citizenship of the colored people, their children are entitled to admission in the public schools.”

Norton I’s Royal Treasury Bonds

Though Norton was welcomed by most everyone, the Imperial Treasury remained sparse. Free lunches, gratis transportations, and admission to shows and lectures, coupled with taxation through Imperial bonds, allowed Norton to meet his daily needs. These “Bonds of Empire” are unique. In the 1860’s, when President Abraham Lincoln undertook to circulate greenbacks during the Civil War, Californians disdained them, paying as low as 38 cents in gold for $1 in paper. In contrast, the Emperor was the first to successfully circulate a paper money that found immediate acceptance – with no discount – among gold-loving San Franciscans.

Norton I issued the first note in late June 1869. Between January 1870 and 1876, printers Cuddy & Hughes created three designs for the Emperor’s popular 50-cent bond. All showed the Emperor and paid seven percent interest, collectible in 1880. Some have an inked “seal” most likely made from a coin.

The earliest 50-cent note to survive carries the date November 11, 1870. Printed in bright red, it shows a large Columbia in front of a San Francisco scene. A dog, presumably Norton’s, lies next to a safe.

From 1877 to 1880, Charles A. Murdock was the Emperor’s favorite printer. In the almost ten years of his reign, His Majesty issued over 3000 Bonds of Empire. Today, we know of only thirty-five. There are a total of nine types with various scenes and other denominations including $5, $10 and $100 notes. While retaining the 1860s cut of the Emperor on the left, Murdock added the California State seal to the right. Murdock saved the empire money when he reduced the rate of interest from seven to five percent. When the 1870s bonds matured in January 1880, Murdock and the Emperor solved a possible embarrassment by rolling them over at reduced interest. On the day he died, January 8, 1880, Emperor Norton issued 50-cent bond #3042, payable in 1890, at only 4 percent.

Emperor Norton I was also a mason, a member of the drinking society, e. Clampus Vitus, and nationally beloved. When he died, ten thousand people turned out for his funeral.

Since Norton’s death, his subjects have vastly increased, while 50-cent Imperial bonds bring $15,000--$20,000 on the collector’s market. His Empire was illusionary, but he was not as mad as some thought; Norton’s advocacy for tolerance towards others and religious and racial equality and is a wonderful legacy for our first Emperor.

for more information, see:
https://www.kagins.com/

NORTHEAST SELLS 1943 COPPER CENT

Early last year we acquired a certified 1943 Copper Lincoln Cent in XF condition. This was the first 1943 Copper that I have had the privilege to own and offer in my entire 54-year career. This rarity is among the most desirable and rarest United States coins and it is known among veteran coin collectors and non-collectors alike, as it frequently makes the news.

All coin dealers, ourselves included, receive phone calls and emails on a regular basis from the public with claims that they have a genuine piece. In most cases, simply taking a magnet to the coin will prove that the coin in question is just a copper coated specimen of virtually no value, thereby immediately dashing dreams of riches. Occasionally more sophisticated counterfeits surface that demand more attention to disprove authenticity. With only about 20 known pieces, the chances of finding a genuine piece are, needless to say, astronomically slim.

We enjoyed the pride of ownership of our piece while displaying it at regional and national coin shows, where it garnered a lot of attention and comments from collectors (and dealers!) who had never seen such a piece in person. Some folks even asked to take photos and/or hold the coin, figuring another such opportunity would never arise. We were very happy to oblige.

After offering the 1943 Copper for sale on our site (www.northeastcoin.com) for much of 2017 without a sale, we decided to take it off the market and perhaps bring it out for display again at some later date. While packing for the recent ANA Money Show that was held in Philadelphia, we decided this might be a good opportunity for the collectors in the City of Brotherly Love to view the coin, so we brought it along.

One of the collectors attending the show, Willie (a client of ours whom we see at every ANA), came by the table and expressed interest in the coin, saying he had always dreamed of owning one. We then recalled last year that Willie had mentioned he was anticipating the sale of his restaurant and if it happened to go through he would consider the purchase of our piece.

Well, the timing was right for Willie this year!

As we are always willing to work with clients on a layaway basis for big and small purchases alike, we were able to come to an agreement with him on the 1943 Copper. We are thrilled that our rarity has found a new happy home. Congratulations Willie - sometimes dreams do come true. Enjoy!

To read the complete article, see:
1943 Copper Cent - Dreams do come true! (https://www.northeastcoin.com/blog.jsp)

NEW EVERMAN COUNTERSTAMP DISCOVERED

As evidenced by previous E-Sylum postings, there's been some renewed interest in this as yet maverick issue; this, given that there are some gold coins which bear the EVERMAN counterstamp. Some months ago, I reported finding the latest dated host coin bearing this mark, an 1857-O half dollar. As luck would have it, I just acquired an 1851 gold dollar that bears the EVERMAN mark. I believe that this brings the reported count to twelve or so pieces.

The discovery of the 1857 dated host coin suggests to me that Everman's counterstamp may have been applied as late as 1858 or thereabouts. This latest find, dated 1851, doesn't offer any additional clues about the issuer.

It's been suggested that one Lewis Everman, a Tennessee silversmith may be the issuer. As I reside in Tennessee, I'd love that to be the case! Try as I have, I've been unable to locate a single Everman-stamped product, like a spoon or a watch.

This EVERMAN stamp is a retailer's tiny mark; this, as opposed to a silversmith's hallmark set in relief. By the 1850's, many silversmiths found that retailing imported products was time more profitably spent than laboring at their bench. This was especially true in the larger cities like Philadelphia, Boston and New York - then, the three principal cities of counterstamp issue.

Below is a link to Boyd's 1859 Lancaster (Philadelphia) Directory. Listed therein, Charles Everman is not listed in McElroy's Philadelphia directories. He remains my odds-on, principal candidate as issuer of the Everman pieces. The Philadelphia area was THE major hub of counterstamping coins. Charles was a retail jeweler, active in 1858. Philadelphia, being a port city, likely saw coins, like the Humbert $50 gold piece, arriving from California. Prominent Philadelphia collectors of that time would doubtless have paid a premium for that "slug."

I've long considered the collecting of counterstamps to be the "final frontier" of numismatics. There remains ever so much to be discovered and learned about this genre. Counterstamps that have been positively attributed tell us ever so much about the people who marked them; and, the times during which the coins circulated. Personal stories and history lessons typically unfold as anyone who researches this genre can attest.

One last word on the EVERMAN counterstamps .... I'm rooting for Eric Schena, hoping he'll someday prove that Tennessee's Lewis Everman was indeed the issuer!

Eric Schena writes:

Charles Everman listing in Lancaster County directory:
https://books.google.com/books?id=jvBXAAAAYAAJ&pg=PA79&dq=directory
,+%22Everman%22&hl=en&sa=X&ved=0ahUKEwj0_ePXvJTMAhVFmYMKH
TVkDUEQ6AEIRDAJ#v=onepage&q=directory%2C%20%22Everman%22&f=false

To read the earlier E-Sylum articles, see:
NEW RESEARCH ON THE EVERMAN COUNTERSTAMP (http://www.coinbooks.org/esylum_v18n23a16.html)
MORE RESEARCH ON THE EVERMAN COUNTERSTAMP (http://www.coinbooks.org/esylum_v18n24a15.html)
THE EVERMAN COUNTERSTAMP – A NEW FIND (http://www.coinbooks.org/esylum_v19n17a14.html)

SAUDI BANKNOTES INSPIRED BY HAJJ PILGRIMAGE

The riyal became the currency of Saudi Arabia since it was founded in 1932. Before that the currency was being used only in the Hijaz region. The first Saudi currency bearing the name of the country, which was smaller and lighter than its predecessor, was minted in silver in 1935.

The Saudi Arabian Monetary Authority (SAMA), the second-oldest central bank in the Arab world, was created in 1952 to develop and unite the Saudi monetary system. Given the fast-paced growth of the economy and increasing revenues, King Abdul Aziz was aware that it was not realistic to continue using metal coins and there was a need for a more practical form of currency. In particular, piles of silver Saudi riyals were a heavy burden for pilgrims to carry with them during Hajj seasons.

In 1953, the king took a courageous decision to issue the first Saudi banknotes. They were known as “pilgrims’ receipts,” each worth 10 silver riyals.

The first batch of 5 million were printed in Arabic, Persian, English, Urdu, Turkish and Malayan. Pilgrims welcomed the new paper currency and it quickly became widely accepted throughout the Kingdom.

Its success encouraged confidence among Saudi traders and citizens. However, pilgrims started to collect the receipts as souvenirs and gifts to take back to their home countries, which prompted the Ministry of Finance and Economy to ban commercial use of them overseas. The acceptance and popularity of the receipts persuaded SAMA to re-issue them in 1954, with the addition of a new 5 riyal denomination, which was followed by 1 riyal pilgrims’ receipt in 1956.

SAMA realized that citizens and pilgrims were happy for the old metal coins to be replaced with the paper notes, so they decided to keep using it after Hajj, rather than returning to the old currency.

In June 1961, Saudi banknotes were issued for the first time, in denominations of 1, 5, 10, 50 and 100 riyals. As a result, the pilgrims’ receipt was phased out in 1965.

Hajj is not only the reason behind the introduction of Saudi banknotes, it has also played an important role in the increasing the value of the currency. As the number of pilgrims coming to Makkah has continued to grow every year, the demand for riyals has increased at banks and local and foreign exchanges; three times as many riyals are purchased during Hajj season than during the rest of the year. This inflates its value and refreshes the market.

The most-exchanged foreign currencies during Hajj are the US dollar, the euro, the Singapore dollar, the Indian rupee, the Indonesian rupiah, the Emirati dirham and the Malaysian ringgit.

To read the complete article, see:
Role of Hajj in the introduction of Saudi banknotes (http://www.arabnews.com/node/1360046/saudi-arabia)

For more information, see:
Hajj (https://en.wikipedia.org/wiki/Hajj)
Hajj, the Islamic pilgrimage to Mecca, explained for non-Muslims (https://www.vox.com/2016/9/12/12814258/hajj-2018-islamic-pilgrimage-mecca-what-is-explained)

FORMER MEXICAN PRESIDENT ON NEW BANKNOTE

Mexico, Aug 28 (Prensa Latina) The image of Benito Juarez distinguishes the new 500-peso banknote (about $30 USD) the Banco de Mexico is launching here today.

The paper money present improvements in security features, functionality and durability, Alejandro Alegre, general director of Issuance of the Central bank (autonomous), said.

Our historical legacy and natural wealth are reflected, because it illustrates the process of the Reformation and Restoration of the Republic, the Bank of Mexico details.

The image of Juarez, former Mexican president from 1858 to 1872, replaces those of 2010 whose protagonists were artist Diego Rivera, and in the reverse painter Frida Kahlo.

The new banknote has a marine ecosystem as its reverse (Mexico has one of the major marine natural reserves on the planet), with figures of a whale and sperm whale, which are recurring and expected images on the northern Pacific coasts in Mexico.

To facilitate the identification of this banknote, three tactile lines were included in the upper left corner for visually impaired and blind people.

To read the complete article, see:
Benito Juarez' Image on New Mexican Banknote (https://www.plenglish.com/index.php?o=rn&id=32930&SEO=benito-juarez-image-on-new-mexican-banknote)

To read the complete article, see:
Mexico: Introduction of new 500-peso banknote launches new series (http://news.coinupdate.com/mexico-introduction-of-new-500-peso-banknote-launches-new-series/)

WHY DOES THE DOLLAR BILL LOOK THAT WAY?

The dollar has been interlaced with American history since the very beginning. It has been trumpeted as the root of all evil, and touted as the salvation of individualism.

But why does the dollar look the way it does? Though American paper currency has gone through many evolutions, its design has largely been governed by practical concerns.

It wasn’t until 1913 that the Federal Reserve Act created the surviving modern form of currency. The law gave the federal government the authority to issue Federal Reserve Notes (commonly known as U.S. dollars) as legal tender.

But by that point, many of the design elements now recognizable from the American dollar were already set. The rough proportions, the typeface, the intricate borders, the color green, even some of the wording — all of those components were in use before the Federal Reserve Note was born.

The front of these notes usually featured presidents while the back captured iconic Americana. For example, a $5 note from 1914 featured Abraham Lincoln on the front, and the landing of the Pilgrims at Plymouth Rock on the back. The main designs changed little over the years, with a few noteworthy exceptions.

As was the case two centuries earlier, the design of the dollar was primarily — but not exclusively — determined by the desire to prevent counterfeiting, not by aesthetic concerns.

To read the complete article, see:
The American Dollar Bill Looks the Way It Does for a Reason (http://time.com/5383055/dollar-bill-design-history/)

LOOSE CHANGE: SEPTEMBER 2, 2018

The Onion Goes Numismatic

To read the complete article, see:
Coin Collector Has Some Pretty F***ing Nice Coins (https://local.theonion.com/coin-collector-has-some-pretty-f***ing-nice-coins-1828653096)

India Considers State Digital Currency

India's central bank is researching how to introduce a rupee-backed central bank digital currency (CBDC) into its monetary policy in a bid to reduce its hefty annual bill for minting physical cash.

The news was revealed in the Reserve Bank of India's (RBI) annual report, published Wednesday, which indicated an inter-departmental unit has already been formed within the organization to study the "desirability and feasibility to introduce a central bank digital currency."

To read the complete article, see:
India Eyes State Digital Currency to Cut $90 Million Banknote Bill (https://www.coindesk.com/india-eyes-state-digital-currency-to-cut-90-million-banknote-bill/)

Moy Speaks At Blockchain Conference

Speaking Saturday about the future of currency, Edmund Moy, who served as the Mint’s 38th director between 2006 and 2011, praised cryptocurrencies as a free market solution that could bring “unbanked” people around the world out of poverty. He also said cryptocurrencies would disrupt the way governments have traditionally provided fiat currencies in the same the way email affected postal services.

To read the complete article, see:
Ex-Mint Director Cheers Crypto’s Potential to Reach ‘Unbanked’ (https://thirtyk.com/2018/08/27/mint-cryptocurrency-unbanked/)

FEATURED WEB SITE: ELSEWHERE NUMISMATIC SOCIETY

http://elsewherenumismatic.com/