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Welcome to The E-Sylum: Volume 7, Number 09, February 29, 2004: an electronic publication of the Numismatic Bibliomania Society. Copyright (c) 2004, The Numismatic Bibliomania Society. SUBSCRIBER UPDATE We have had some difficulty updating the E-Sylum mailing list this week. A query has been logged with our mailing list provider, and we hope to have the problem corrected soon. Our apologies to those who recently requested address changes. E-SYLUM EDITOR VISITS ANA HEADQUARTERS Your editor visited the headquarters of the American Numismatic Association in Colorado Springs the afternoon of Wednesday, February 25th. In the Denver area for business, I was able to squeeze in a side trip to visit old friends and have meetings to plan for this summer's convention in Pittsburgh. As General Chairman, there are many details to be coordinated with HQ. The first order of business was to meet with computer and communications guru John Nebel, who comes to headquarters weekly to (among other things) photograph numismatic items for publication. The equipment and software is superb, ensuring top-quality electronic images. I had brought with me several Pittsburgh-area medals to be imaged for publication in the club organ, Numismatist. With that taken care of, next came lunch, with ANA Librarian Nancy Green and ANA Researcher/Historian David Sklow and his wife Sherry. We walked a few blocks to Paninos, a local hangout with great food. It was fun to just sit and chat and shoot the numismatic breeze. I rarely get to see these great folks outside of conventions, when all of us are busy and don't have much time to visit. The rest of the afternoon flew by quickly with other meetings. Dave Sklow introduced me to some of the new staffers, including communications manager Jim Lucas and museum collections manager Erik Heikkenen. Erik was busy with three ANA volunteers who were helping to catalog paper money in the museum collection. Next, I spent time at Numismatist's Ground Zero, the large office shared by Editor Barbara Gregory and Senior Editor Marilyn Reback. Barbara and I discussed plans for articles and membership news items (and the accompanying illustrations) to be published in issues leading up to and following this summer's convention. Then, I had a nice meeting with Education Director Gail Baker and Jim Lucas. We talked about special exhibits and events for the convention with an eye toward both publicizing the events to draw in the crowds, and making sure they had some particularly interesting things to see when they arrived. Unfortunately, Convention Manager Brenda Bishop had already left for Portland, OR to coordinate next month's spring convention. Brenda and I are in regular contact, however, so there wasn't a lot we needed to discuss this week. Between and following my meetings I squeezed in time to view the ANA Museum and Library. Nancy Green gave me a short guided tour of the library's rare book room. One of the first things to catch my eye was a bound scrapbook that had been assembled by George Rode, and early ANA officer who was also a founder and Secretary of one of my local clubs, the Western Pennsylvania Numismatic Society (founded 1878). The scrapbook contained copies of the "Plain Talk" column, (the early ANA journal), plus interesting items of ephemera such as programs of the 4th and 5th ANA conventions. Other highlights of the whirlwind visit included a beautiful vignette book of the U.S.Bureau of Engraving and Printing, the Coole research on Chinese coinage, and Cruikshank's original pen-and-ink sketch for his famous 1818 "Bank Restriction Note," created after he witnessed people being hanged for passing forged Bank of England notes. See the ANA web site for images: Images By then it was past closing time and the lights were off in the museum. But Barb Gregory came to the rescue and relit the galleries long enough for me to make a quick tour of the current Mexican coinage exhibit, the Colorado money exhibit, and the new Harry Bass collection exhibit, all of which were amazing. This was my first chance to visit headquarters since the new expansion and renovation. Hats off to former ANA Executive Director Ed Rochette, the ANA staff, the Bass family, Dwight Manley and other donors for making it all a reality. The ANA has a first-class space that all members can be proud of. BETTS MEDALS STILL RIPE FOR RESEARCH Granvyl G. Hulse, Jr., Librarian, Numismatics International writes: "John Adams is correct and therein lies a lesson to all of us. Having had published a fair amount of material in my life time, I have learned the hard way that "the first liar doesn't stand a chance." My introduction to Roy Hawkins was through a letter he sent to the Spinks Numismatic Circular, after they had published something of mine purporting to be the last word on modern Greek coins, pointing out that I had left out the entire coinage of Otto I. We became good friends after that, but it pointed out a lesson in that the first book on any subject, no matter how thoroughly the author tries to make it accurate, will never hold up under the light of later research. Betts medals are a good example. Looking for something to do, and being in the right spot at the right time, I set out to do additional research on the medals he listed as awarded to British soldiers in the American Revolution. My four articles covering five medals were published over the years in ANA's The Numismatist. While I was able to expand on his brief explanations I would never be so bold as to say that what I had done was even then the last word. Where we go wrong is to hold any work in veneration as the final authority. Marginal notes on books received by the NI Library are indicative of the knowledge brought by others who happened to have access to material the author did not have. I applaud the work on updating Betts' work and look with anticipation to the publishing of a revised edition." ANTI-COUNTERFEITING MEASURES WORKING? A recent article in USA Today suggests that counterfeiters appear to be stumped (at least for now) by the new $20 bill. "It's been four months since newly designed, color-filled $20s began circulating, and early results suggest counterfeiters are having a harder time faking them. In the first four months, more than $1 million in fake new $20s were accepted by businesses and later detected. That's more than five times the $192,000 passed and caught in the same period after the 1998 redesign, says the Secret Service, the agency in charge of anti-counterfeiting efforts. More money being caught, even if it was originally accepted, suggests the new $20s are harder to fake because they are easier to spot - the government's goal in the redesign." "Police detectives say some counterfeiters have been successful in mimicking the subtle colors on the new $20s. "There's no such thing as a counterfeit-proof bank note," says Bruce Townsend, deputy assistant director at the Secret Service's office of investigations. To read the full article, see: Full Article SALMON P. CHASE INFO SOUGHT Stefan Herpel of Ann Arbor, MI writes: "I am a lawyer and graduate of Michigan Law School, and am doing research for an article on Salmon Chase and the Legal Tender Cases. I have been stymied in my search for a source of a particular anecdote about Salmon Chase and the greenback notes that were put into circulation in 1861, under his stewardship as Secretary of the Treasury. I was wondering if you have any ideas about where I should look. Somewhere last year, I read that, after passage of the first Legal Tender Act in 1862, Chase made the decision to put his own portrait on the $1.00 note and Lincoln's on a higher denomination note (I believe the $10.00 note), and that he defended that decision by telling somebody that Lincoln was of higher stature than himself. Since the $1.00 note circulated more widely than the $10.00 note, the implication was that Chase's real reason was to get name recognition to promote a presidential run. Phelps' biography of Kate Chase suggests that Kate perceived this benefit from his portrait on the $1.00 note. I thought I had read about Chase's decision and his defense of it in Arthur Nussbaum's book about the history of the dollar, but I was mistaken. I have since searched long and hard for the source of this information, to no avail. None of the three 20th Century biographies of Chase mentions it. I did not find it in Burton Hendrick's "Lincoln's War Cabinet," or in Bray Hammond's "Sovereignty and an Empty Purse." It is not reported in Macartney's book about Lincoln's cabinet, or in Umbreit's book about the chief justices, or in Mitchell's history of the greenbacks. It is not in Fairman's long essay about the Legal Tender cases in the Holmes Devise History of the Supreme Court, and is not in his biography of Justice Miller, or in Swisher's biography of Justice Field. It is not in Donald's biography of Lincoln or in numerous other biographies of Lincoln that I have looked at. I have not looked at Otto Gresham's and Unger's books about the greenbacks, and will try them. Can you possibly suggest other books or articles that may elaborate on this anecdote? Thanks for any help you can provide." [I'm not sure of the source of this anecdote, either. Can any of our sharp-eyed readers help? -Editor] VARIOUS QUERIES FROM DAVE BOWERS Dave Bowers writes "In connection with various projects I wonder if any readers can help with information in these categories. Any assistance will be very much appreciated! In connection with a monograph I am doing on the 1815 half eagle, if anyone has any obscure references to this coin, pre-1900, I would be glad to learn of them. Walter Breen (cf. p. 51, Early United States Half Eagles, 1966) states that the Mint Collection specimen was acquired at auction on December 4, 1885, for $299. What auction was this? Elsewhere, it has been suggested that this is the unsold Bispham Collection (Chapman brothers, February 1880) coin later sold by private treaty to the Mint. In any event, the coin is specifically mentioned in A.M. Smith's Visitor's Guide to the Mint,1885. Does anyone have an up-to-date listing of known examples? Does anyone have any details on how the specimen in Sweden got there? In connection with a study of very early numismatic commentaries on large copper cents, does anyone have print-outs or copies of Jeremiah Colburn's series in the Boston Evening Transcript? This may be the earliest detailing of die varieties, etc. Does anyone have any specific information on the circa 1883 go-around involving the Mickley gold collection, to W.S. Appleton, to John Schayer (other than what I have put in print in recent times)? Does anyone have any obscure information on Waterman Lily Ormsby other than that in his book (1852) and monograph (1862) and what has appeared in the Essay-Proof Journal? Did he print any "UNIT SYSTEM" currency other than the $1 of the Carroll County Bank of Sandwich, NH, and his "Security Bank" advertisement of the same style? He did "scenic" notes, as for the Drovers Bank of Salt Lake City, but these are not "unit" system as the denominations are in separate vignettes, not integrated. I realize this is a rather arcane inquiry, but E-Sylum readers are well known for helping with such things! Thanks, and to all, a happy good night! Dave Bowers c/o American Numismatic Rarities Box 1804 Wolfeboro, NH 03894 or personal e-mail at: qdbarchive at metrocast.net [QUIZ QUESTION: Can anyone tell us about John Schayer's line of work outside of numismatics? -Editor] ATCHISON SEEKS HUDSON'S BAY INFORMATION Darryl Atchison writes: "Once again I need to ask our readers for some help. Firstly, if anyone has access to the following two "Anonymous" articles in Mehl's Numismatic Monthly I would be grateful if they could photocopy them for me. 1. "Issues in gold for the Hudson?s Bay Company". ? MNM : Vol. 10, no. 9 (Sep. 1919). 2. "Hudson Bay Company tokens - their value in trade". ? MNM : Vol. 10, no. 11 (Nov. 1919) Secondly, I am desperately trying to find a copy of a sale which was held by Bowers & Merena in 2001 as follows: Cabinet of Lucien M. LaRiviere : part III ? Wolfeboro, N.H. : Bowers & Merena, May 21 -23, 2001 If anyone has a duplicate or available copy I would dearly love to hear from them. My email address is atchisondf at hotmail.com LITERARY DEPOT LOGO Pete Smith writes: "I own one 19th Century merchant token (PA 590) bought long ago. It was issued by M. P. Morse in Pittsburgh. The obverse includes a lamp sitting on a stack of books. I suspect Dick Johnson would like to see this adopted as a logo for the Numismatic Bibliomania Society. If we took it from an 1845 era token, no one could accuse us of taking it from another numismatic organization. The reverse refers to Morse's Literary Depot. My question: What was a literary depot? For those NBS members who collect library tokens or bookseller tokens, do you include this in the scope of your collection? With its connection to literature and to Pittsburgh, I may try to use an image of this token to promote our meeting at the 2004 ANA convention." [As a Pittsburgh bibliophile, I have long had an example of this store card in my collection. It is not rare. The "Lamp of Knowledge" theme is of course very similar to the logo recently forsaken by the American Numismatic Association. Somewhere in my files, from my early days as an NBS officer, there are examples of proposed NBS logos that were solicited from members by President P. Scott Rubin. These were discussed at one of our board meetings but other matters took precedence and an official logo was never adopted. I've not done any research on the token, but imagine a "Literary Depot" was a bookstore and/or newsstand. -Editor] BARBER AND H.H. ZEARING Relating to last week's mention of a letter to H. H. Mr. Zearing by mint engraver Charles Barber, Bob Leonard writes: "Mr. Zearing, a Chicago artist, was the creator of the portrait of Columbus that Charles E. Barber was told to use for the 1892 Columbian half dollar, according to a letter in the James W. Ellsworth incoming correspondence archived at the Chicago Public Library (Ellsworth was a member of the Board of Directors of the World's Columbian Exposition, held in Chicago in 1893): "[Box 3, C] 54. June 30, 1892; typed letter signed, 1 p. [William Eleroy] Curtis thanks Ellsworth for forwarding the Van Dyke article and assures him it will not be quoted in any way until the Century article is published. Curtis writes that he will only abstract the article for the Catalogue of the U.S. Government Exhibit at the Columbian Historical Exposition in Madrid, where the Lotto portrait will be on exhibit. He further states he will insure the painting for $5000.00 before it is shipped to Madrid. Letter also refers to the design of the Columbian half dollar, and reports that a profile of Columbus' head must be used. The Director of the Mint has reported that only the H.H. Zearing (a Chicago artist) portrait, in Curtis' collection, would be appropriate for the mechanical requirements of the coin." Clearly Barber was writing to Zearing about a medal to be produced in conjunction with the World's Columbian Exposition, or possibly the U.S. Government exposition in Madrid in 1892. This sounds like at least semi-official U.S. Mint business, but I suppose a charge that the letter proved illegal moonlighting increased its value in the eyes of the cataloger. Swiatek and Breen, Silver & Gold Commemorative Coins 1892 to 1954, p. 58, mention W. E. Curtis. Curtis commissioned a Washington, DC, sculptor, U.S.J. Dunbar, to model a bust of Columbus for the Columbian half, but Barber rejected it. They do not mention Zearing's connection with the design. Perhaps more research has been done since 1981?" UNITED STATES MINT ENGRAVERS MOONLIGHTING Although Bob Leonard makes a good case for this particular instance being government work, the question remains about whether mint engravers could perform outside work. Dick Johnson writes: "Charles Barber was no different from other engravers at the U.S. Mint. They were all allowed to do non governmental medal jobs both in and outside the Mint with the proviso ?that it did not interfere with their required Mint duties.? The date of the Barber letter mentioned in last week's E-Sylum, 1891, was at a time when engravers at the Philadelphia Mint were still using their old Hill reducing machine (acquired from William Wyon September 1867). Mint engravers would use it only for making device punches, however, not for the entire model. It was not until 1906 when the Philadelphia Mint acquired their first Janvier die-engraving machine that the Mint was equipped to make a full coin or medal die or hub entire from a metal pattern. The Bureau of the Mint requested Henri Weil (later to own Medallic Art Co with his brother Felix) to instruct Barber and other Mint engravers how to use the Janvier when they acquired this modern ?reducer? in 1906. (Mint officials had purchased the Janvier die-engraving pantograph from New York City's Deitsch Brothers who imported it from the Janvier company in Paris. Henri Weil had been trained by Victor Janvier himself in Paris; Henri worked for the Deitschs at the time operating their Janviers. The manuscript papers of his brother, Felix, tells this story, even Barber's attempt to sabotage work on the Mint's new machine.) And even then it was not until 1920, after Barber's death in 1917, that we can document that Mint engravers finally used the Janvier to reduce a complete model, for Anthony de Francisci's silver Peace dollar. Previously, new coin models from outside sculptors whose models included lettering and all ? St-Gaudens? 1907 $20 and $10 gold coins, Pratt's $5 and $2 ½ gold, Brenner's 1909 Lincoln cent, Fraser's 1913 Buffalo nickel, Weinman's 1916 Mercury dime and Liberty Walking half dollar and MacNeil's 1917 Liberty Standing quarter ? were all reduced intact from the sculptors? original models, not by mint engravers, but by that same technician who tried to train them, Henri Weil, in his tiny plant in New York City, then known as Medallic Art Company.. Barber's request in 1891 for an oversize model ?three or four inches larger than the medal required? proves he would reduce this on the Hill machine. His further statement ?requiring considerable labor to finish? meant that he would add lettering by hand with punches. He amplified on this technique in his report on the engraving department published in the 1896 ?Annual Report of the Director of the Mint.? Barber never changed from this routine right to the end! Incidentally, the recipient of that letter was Henry H. Zearing, who was working on his first medal, for the Colombian Exposition, at that time he wrote Barber. The cataloger of that A.L.S. mentioned in last week's E-Sylum didn't know that outside medal work was permitted by the Mint. The fact that for nearly 100 years there was no press in America to strike large medals. Any American medal over two-inches HAD to be struck at the Philadelphia Mint (or be struck in Europe). Thus U.S. Mint engravers did private medals with full sanction and blessing of their Treasury Department bosses. They did this for a large number of clients from circa 1792 (Rickett's Circus) until 1948 (for even such private medals as a wedding anniversary medal, Julian PE-5, and dog show medals, UN-19, UN-20). In the 20th century, however, U.S. Mint engravers built studios in their home and sent models of their private jobs to Medallic Art Company or other medal makers. John R. Sinnock was the first to do this in 1926, the year after his appointment as U.S. Mint Chief Engraver. This had the appearance at least of not conflicting with his Mint duties. Every chief engraver since then did private medal jobs which were struck y American medal makers. Gilroy Roberts even modeled medallic portraits of Clyde C. Trees, his successor William Trees Louth, both as president, and all the directors of the board of Medallic Art Company over a 30-year period. (The relationship between Roberts and Medallic Art was quite close, until Joe Segel hired Gilroy away from the Philadelphia Mint to work for Franklin Mint.) American medal companies began forming in 1892 (thank you, Colombian Exposition!) and had full medal making capability by 1910, even for large-size medals. During depression years of the mid 1930s, however, Clyde Trees was attempting to keep his little company afloat by obtaining any medal job possible. It irked him to see private medals being struck by the U.S. Mint in direct competition. He mounted a campaign for the U.S. Mint to stop accepting such commissions. He insisted these should go to private American industry. Trees beat this drum constantly in the 1930s and 1940s, but it was not until 1948 that the mint stopped this practice for any new private medals. Even so, those private jobs, as award medals already in yearly production, did not run their course until 1962, when the last private medal was struck, two years after Trees had died. The fact government employees doing private work on government time and equipment might even still exist. When I was in the military service in 1953 I became active in the founding of the Middle Atlantic Numismatic Association (with Walter Breen, Eldridge Jones, Ed Rice, Arthur Sipe, Joseph French Maley, Roger Cohen and many others). I had type set and I printed for secretary Jones the MANA dues notices in the print shop where I worked in a super secret spy factory in Washington DC. Wow! By admitting that now I hope the statute of limitations has run out after 50 years! [I also set type there for an advertisement I ran in the ?Antiquarian Bookman Yearbook? near that time to purchase any out-of-print books on ? what else? ? numismatics!]" SOCIALIST REPUBLIC OF VIET NAM CURRENCY RESEARCH Howard A. Daniel III writes: "I am searching for financial and/or economic articles and references with the first and last dates of issue for all Vietnamese coins, paper money, collector coins, foreign exchange certificates, and all other financial instruments issued from 1975 to date. There are some years shown in the standard catalogs, but I am looking for the day, month and year for each piece for my Socialist Republic of Viet Nam Coins & Currency catalog. If anyone knows of even one date in an article or reference, please contact me at: Howard at SEAsianTreasury.com My research has already found about twenty new varieties of pieces, and almost ten new pieces that will be described in the catalog. My research support is coming from numismatists and others in Viet Nam, China, Singapore, Thailand, Australia, Germany, Finland, England, Canada and the United States. Without this support, it would be impossible to produce a comprehensive catalog about Viet Nam's modern issues." FIRST COIN COLLECTOR? Regarding our discussion of the first collector, Jørgen Sømod of Denmark writes: "In 1820 was in Hemselynge in Halland in the present Sweden found a double hoard of 9.413 coins of which the 83 coins was a collection ended in the beginning of the 1330's. All the coins went to the Royal coin cabinet in Stockholm. I am working on an article about this medieval collection including a catalog of the coins, which all were Danish coins from 13th and 14th century." BURT'S U.S. COIN BOOK Vincent Alones writes: "Regarding Neil Shafer's request for information on Burt's United States coin book: I also have a copy of the book, but I have also a blue and silver dust jacket. I bought the book in 1935 while still in high school. That is all I know other then I was told by a person working in publishing plant in Garden City, New York that it was printed there " ROMAN COIN OF MYSTERY EMPEROR FOUND Gar Travis forwarded a link to an article about a recent find of a bronze coin of Emperor Domitianus, "a mystery emperor who ?ruled? Britain for a matter of days." "A man with a metal detector has unearthed a Roman coin so rare it bears the face of a mystery emperor who ?ruled? Britain for a matter of days. Brian Malin, a father-of-one from Oxfordshire, unearthed the bronze coin in a field in Oxfordshire bearing the face of Emperor Domitianus. It is only the second coin in existence to bear the image of the self-proclaimed ruler of Britain and France in 271AD. A similar coin was found in France 100 years ago but until now its uniqueness had meant both Emperor Domitianus and the coin were dismissed as a hoax. Historians say the British discovery confirms the French find is genuine and Domitianus existed." To read the full article, see: Full Article A web search found another article in The Guardian: "Domitianus is now believed to have been a rebel emperor from the Gaul region, who may have seized power in 271 AD in the short lived "Gallic empire", and ruled for less than a year before he was toppled." "Mr Abdy said there were only two brief references to Domitianus in historical sources. Both refer to him as a high ranking army officer, and to his being punished for treason by the emperor Aurelian - but neither records that he became emperor. The coin is on display in the Buried Treasure exhibition at the British Museum until March 14." To read the full article, which includes an illustration of the coin, see: Full Article Arthur Shippee forwarded links to several other articles about the discovery, as reported in The Explorator newsletter. Additional Article Additional Article Additional Article Additional Article Additional Article Additional Article Additional Article STAMPS PICTURING MEDALS Regarding our question about medals pictured on U.S. coins, Joe Boling writes: "The Medal of Honor was on a stamp a few years ago (in three versions), and the SW Asia Service Medal appeared on a stamp commemorating Desert Storm. I'm sure there are others." Pete Smith writes: "This is in response to your question about the Purple Heart appearing on a stamp and the question about any other medals pictured on stamps. Medal collectors put the Purple Heart in the category of "orders and decorations" and would not call it a medal. When I was briefly the editor of the "MCA Advisory," the U.S. Post Office issued a stamp showing the Nobel Prize medal. (2001) I used that stamp to mail the next issue of the newsletter. Perhaps that qualifies as the first usage of a medal stamp to mail a medallic numismatic publication. The Nobel Prize medal also appears on several stamps issued by foreign countries." Steve Carr writes: "There may have been earlier medals on stamps, but the Congressional Medal of Honor was featured on a stamp in 1982 or 1983. The stamp featured the CMoH for the three services (Army, Navy, Air Force)." Mike Greenspan writes: "Not sure about any others, but I know the Medal of Honor was depicted on a U.S. 20¢ stamp in 1983, and I believe the Hispanic Americans 20¢ issue of 1984 depicts a Marine, front-and-center, proudly wearing the MOH." David Klinger of San Diego writes: "In reference to the question about military medals on stamps, there are many examples. The most extensive series I know of is the Soviet medal series shown at the following web address: Soviet Series STAMPS PICTURING MEDALS? Pete Smith adds: "If the question of medals on stamps is appropriate for The E-Sylum, how about stamps on medals? Can you name examples of stamps appearing on coins or medals? I believe there are several. The example that comes to my mind is the Isle of Man "Penny Black" crown issued in 1990. I recall voting for it at an ANA convention to win the "Coin of the Year" award. I don't think the COTY gets a special medal. Otherwise that would be an example of a stamp on a coin on a medal." EARLY U.S. COINAGE AT THE BRITISH MUSEUM Saul Teichman writes: "I have a listing of the early U.S. coinage in the British Museum. This should interest some of the Esylumites - is there such a word ?? Descriptions are sparse but the weight of the coins is shown as is the metal. It appears alloy in the descriptions means copper as silver and gold seem to be well defined." [To get a copy of the listing, contact Saul at SAUL.TEICHMAN at ey.com. -Editor] U.S. MINT ARTISTS CHOSEN Dick Johnson sent the following Associate Press article about artists chosen by the U.S. Mint to submit coin design ideas. He writes: "Interestingly, only one of these artists mentions that they create in bas-relief and only one is a medallic sculptor! Yet more than half a dozen are graphic designers and flat illustrators. Look for more flat coin designs. They must be trained to think, dream, create, sketch and model in modulated relief before they can create a coin design." From the Associated Press article: "Two dozen artists were chosen to periodically submit designs for circulating coins for the U.S. Mint. They also will be asked to submit designs for non-circulating commemorative coins and medals. The Mint said that the "master designers" are: Leonard E. Buckley, Damascus, Md., former currency designer at the Bureau of Engraving and Printing, now doing watercolor painting and calligraphy. Stephen M. Clark, Post Falls, Idaho, wildlife painter, freelance designer and medallic sculptor. Thomas S. Cleveland, Houston, Texas, commercial graphic designer. Charles Danek, Los Angeles, photographic producer. Joe Fitzgerald, Silver Spring, Md., computer graphics, woodcuts, pastels and oil paintings. Jamie Franki, Concord, N.C., illustrator, associate professor, University of North Carolina, Charlotte. Sharon Fullingim, Socorro, N.M., sculptor in bronze, limestone and marble. Susan Gamble, Tinker Air Force Base, Okla., graphic designer and illustrator. Howard Koslow, Toms River, N.J., painter and illustrator. Bill Krawczewicz, Severna Park, Md., currency designer, Bureau of Engraving and Printing. Justin Kunz, Sandy, Utah, contemporary realist painter and graphic designer. Michael Leidel, Marietta, Ga., graphic designer, acrylic and oil painter. Richard Masters, Appleton, Wis., illustrator, associate professor, University of Wisconsin, Oshkosh. Erik Must, Lakewood, N.J., illustrator. John Nordyke, West Hartford, Conn., graphic designer assistant professor, University of Hartford. Garland "Neal" Taylor, Durant, Okla., western and historical illustrator in oils and sculpture. Joanne C. Wasserman, Silver Spring, Md., commercial designer and calligrapher. Mary Beth Zeitz, Marlton, N.J., graphic designer and illustrator The "associate" designers are: Rebecca Armstrong, illustration major, Virginia Commonwealth University. Analee Kasudia, graphic design major, Columbia College, Chicago Joseph LiCalzi, Bas-Relief study, Fleischer Art Memorial, the Frank Gasparro Studio, Philadelphia. Amy Mortensen, photographic illustration major, University of Connecticut, Storrs. Patrick J. Quill, marketing and art studio double major, University of Notre Dame. Georgina Smigen-Rothkopf, painting, drawing and illustration, The School of Art Institute of Chicago." CIVIL WAR CHAT ROOM SET UP Chris Fuccione writes: "The Civil War Token Society is having their second online chat this Friday March 5th at 9:00PM. Here is the link to our message board: Civil War Token Society Message Board If anyone wants more information or wants a transcript of the first chat they can contact me at chrisfo1864 at lycos.com. CURRENCY WEBSITE FEATURED ON DRUDGE SITE. Dick Johnson writes: "Robert Drudge (Matt's father) operates a fantastic website -- refdesk.com -- and today (Saturday, 28 February 2002) he featured The Currency Gallery in his "Site of the Day." I clicked over and found it colorful and modestly interesting. Really basic stuff on American paper money. It is sponsored by the Currency Gallery and Research Foundation of Melbourne Florida. But their section "About Us" drew a solid black screen. I can understand their hiding behind a post office box to conceal their street address, but why the black curtain over who they are? currencygallery.org [Are any E-Sylum readers familiar with this site? -Editor] STUPID COIN TRICKS Len Augsberger writes: "A Canadian two dollar coin was the subject of a "Stupid Pet Tricks" segment on the Late Show with David Letterman this past Thursday evening. Featured was a poodle which retrieved a "twonie" from its owners purse and then proceeded to deposit said coin in a glass piggy bank, accompanied by much cajoling from the anxious owner." FEATURED WEB SITE This week's featured web site is a section of the Notre Dame numismatic web site recommended by John and Nancy Wilson of Ocala, FL. They write: "While trying to find some paper money information on Google, we came across the following site. It is a great site that deals with Colonial and Continental Paper Money, along with some other related items It has great information regarding the Colonial and Continental Notes. The photos are very well done. Colonial and Continental Notes Wayne Homren Numismatic Bibliomania Society Content presented in The E-Sylum is not necessarily researched or independently fact-checked, and views expressed do not necessarily represent those of the Numismatic Bibliomania Society. The Numismatic Bibliomania Society is a non-profit organization promoting numismatic literature. For more information please see our web site at http://www.coinbooks.org/ There is a membership application available on the web site. To join, print the application and return it with your check to the address printed on the application. Visit the Membership page. Those wishing to become new E-Sylum subscribers (or wishing to Unsubscribe) can go to the following web page link. |
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