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The E-Sylum: Volume 9, Number 8, February 19, 2006, Article 13 TAKING AMERICAN INSTITUTE DIE IMPRESSIONS WITH REPROSIL Katie Jaeger writes: "For those who did not see my Feb. 2006 Numismatist article on the American Institute medals, I wanted to share the following information, that may be very useful for anyone researching medals, engraving, die sinking and the related arts in the 19th century. Over the last two years, I have visited the New-York Historical Society (NYHS) on multiple occasions to consult the full archives of the American Institute of the City of New York. This organization, familiar to numismatists but hardly anyone else in the history community, endured until 1982, though most people are not aware of its post-1929 activities. From 1929 to 1955, the Institute held no expositions and awarded only one important medal per year at a fancy dinner (along with an honorarium of $150K for an outstanding advance in science or technology). It held annual youth science fairs in New York, and coordinated 600 national youth science clubs. The Institute's sister organization, the New York Academy of Sciences, eventually took over the science fairs, which are still held in the old Institute building on 63rd St. Its other sister organization, the American Association for the Advancement of Sciences, took over the national science clubs in 1982, and the Institute disbanded. The 491 boxes and 508 bound volumes in its archives went to the NYHS, which sat on them until 1998, when it got a Mellon grant of $100,000 to sort and classify them. Every page had to be humidified so it could be unfolded, and then everything had to be sorted, assigned to binders, boxes and folders. I know I was the first numismatic researcher ever to consult this fabulous archive, and I wanted to let others know that it is there, packed with information on just about everyone and everything that was notable and newsworthy in American arts, invention, agriculture and manufacture. This was a national organization, so its content is not confined to New York City subjects. The NYHS website has a searchable guide to its contents. I had gone to the library to look for mentions of my ancestors, Robert Lovett, Sr. and his son George Hampden Lovett, who had been the Institute's die sinkers for 50 years. I'd been finding terrific stuff, like judges' records filled out and signed by Robert Sr., minutes of managers' meetings that recorded his conversations verbatim, George's handwritten totals of how many medals he struck in each metal each year. The procedure at the library for looking at records is to laboriously fill out calls slips one at a time, and wait for the librarians to bring out what you've ordered. I was stunned, when I pulled the lid off a box labeled "Wax seals, Heavy" to find, lying in the bottom, bumping around together with no packing material and covered in a thick layer of greasy dirt, a selection of steel medal dies, collars and metal-clad wooden printing blocks. I was apparently the first researcher ever to request this box, and probably the first person in 50 years to know the purpose of the objects inside it. hen I could breathe again, I arrayed the whole lot of objects on a table and photographed them. Later, my interest in the dies prompted NYHS Senior Conservator Alan Balicki to take on the task of conserving them, and he invited me to his lab to photograph the process. First, he cleaned them with acetone and then mineral spirits, using cotton pads and a stiff-bristle boar's-hair brush, with his arms inside a fume hood that looks a little like a prenatal incubator. When returning them to storage in the library, Balicki sealed them with a thin protective film ofRenaissancemicrocrystalline wax, and packed them with ethafoam sheeting in new, correctly labeled archival boxes. Surprisingly, the NYHS decided to leave these dies in the manuscript collections, rather than transferring them to the museum collections. This means anyone can still see them by filling out the usual library call slips, rather than going through the special request/appointment-only procedure for viewing items from the museum collections. I had received permission from the NYHS to take study impressions of the dies before they were returned to storage. Having no experience whatsoever with this, I called Russ Rulau and he told me beeswax works well, if it is kneaded and warmed to a workable state. Since I had only one afternoon to take impressions from twelve dies, I feared all that kneading and pressing would be too time consuming. I decided to try a dental impression compound called Reprosil which has a consistency similar to toothpaste and hardens into a rubberlike material. I knew that this substance was safe and would do no harm to steel medal dies, because dentists apply it to metal bridgework in people's mouths, and curators at the American Museum of Natural History use it to make impressions of dinosaur bones (to use as molds to cast replica bones). Bird taxidermists have even used it on anaesthetized live specimens in the field, to take impressions of beaks and feet, and then release the birds unharmed. I called my dentist Geoffrey Dray, who recommended that I practice first before my appointment. He invited me to his office for a primer, using his own supply of Reprosil, which comes in two tubes and has to be mixed like epoxy glue: one agent is the adhesive and the other makes it harden. We practiced on some medals I had brought along, and we were getting perfect negative impressions, but for the problem of tiny air bubbles leaving tiny voids on the face of the impressions. Dray reasoned that the ideal way to avoid bubble formation with Reprosil would be to inject a bead of the compound onto the die surface using a large-chamber syringe, laying out a tight spiral starting at the die's center point. We tried this with a dental syringe designed for the purpose, and it worked. I bought some big disposable veterinary syringes at my local farm supply store, ordered some tubes of Reprosil from an online dental supply outfit, and went off to New York. On the American Institute medal dies, Balicki and I had trouble with Dray's application method, since the compound begins to set up so quickly - in about two minutes. We couldn't get the stuff mixed and loaded into the syringe fast enough, and it was setting up while it was still in the nozzle. We elected to spread it on gently with a wooden tongue depressor. The first thing we noted when we peeled off the hardened impression material, was how it had lifted off the tiny flecks of dirt and lint that could not be removed by Balicki's brush and solvents. The second thing we noticed were those pesky air bubbles. The impressions I took home have only a few bubbles and are clear, sharp, and quite satisfactory for study purposes, and unlike beeswax impressions, these rubber ones can't be deformed or dented, and will retain their shape indefinitely. But I know they can be improved upon. The ideal procedure would be: 1) Practice first, to get accustomed to working with the material. 2) Take an initial impression from each die, to lift out the dirt and bits of airborne fuzz. 3) To avoid the formation of air bubbles, use the caulking gun with mixing tip the Reprosil manufacturer offers. I didn't do this because the gun costs $39.95 and the cartridges are $34.95 , but serious researchers would certainly be willing to spring for this reusable device. The gun has two chambers, one for the hardening agent and one for the impression material. These are blended together in a corkscrew-tube mixing nozzle just prior to exiting onto the surface of the object. This gives the maximum work time for laying out the necessary concentric spiral, and the unused Reprosil remains in the cartridges, so there is no waste. Anyway, I had a lot of fun with this and wanted to pass the information along." [Katie's article is a gem, and I'm glad to be able to publish this additional background material. It is a rare treat for researchers to be able to view virgin resource material such as this. I'm also certain that many other such troves are out there just waiting for the right researcher to come along and discover them. -Editor] Wayne Homren, Editor The Numismatic Bibliomania Society is a non-profit organization promoting numismatic literature. See our web site at coinbooks.org. To submit items for publication in The E-Sylum, write to the Editor at this address: whomren@coinlibrary.com To subscribe go to: https://my.binhost.com/lists/listinfo/esylum | |
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