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The E-Sylum: Volume 10, Number 24, June 17, 2007, Article 15 WAYNE'S LONDON DIARY 10 JUNE, 2007 (PART TWO) Now where was I? Last week I had to cut my diary short following my long-winded account of my visit to the London Coin Fair on 9 June. After leaving the show I traipsed over to the British Museum. Since Real Men don't ask for directions I declined to purchase a map (but did drop a quid in the donation box). Off I went to explore the displays. I was quite pleased with what I found. The exhibits were marvelous, and not just for the quality of the items displayed, but for the layout, arrangement, description, lighting, floorplan - everything. It's what one would expect of the British Museum, and I wasn't disappointed. I guess they've learned a few things about running a museum since their founding in 1753. Knowing that any museum's public exhibit represents only the tip of their holdings iceberg, I couldn't help but wonder about all the treasures I WASN'T seeing. A stroll thru the galleries was a walk through the eons of human existence; an Easter Island statue, Egyptian mummies galore, ancient carvings, mosaics and statues, and coins, too. The inclusion of coins in many of the exhibits warmed my numismatist's heart. One of the first coin exhibits I encountered was a group from ancient Sri Lanka, reminding me of E-Sylum contributor Kavan Ratnatunga. I didn't take many notes on the coins I saw that day, for if I did I'd have ended up writing a book. Actually, I had that book in my backpack, the 1922 Guide to the Department of Coins and Medals in the British Museum that I'd bought earlier at the coin fair. To my coin-centric eye, it was almost as if the coin department had been greatly expanded with cultural artifacts brought in to augment the coins. Eventually I stumbled into the actual coin department and greatly enjoyed reviewing the displays. Again, I took few notes because like a kid in a candy store, I couldn't decide where to start. A couple items that drew my eye weren't coins themselves, but were nevertheless very interesting. One was an actual reducing machine made in France. "The Royal Mint acquired this reducing machine from Panisset of Paris in 1824 for the use of Mint Engraver William Wyon." The exhibit case also included a plaster, rubber mould, and electrotype masters for the 1983 one-pound coin by Eric Sewell, and a plaster of Mary Gillick's 1952 portrait of Elizabeth II. Another unusual item stood almost unnoticed near the door to the gallery. Inscribed before 120 BC, the tall stone slab was an honorific decree allowing the town of Sestos to be able to issue its own coinage. Wandering through the galleries I turned a corner and was stunned to come face-to-face with another stone slab I'd forgotten the British Museum had - The Rosetta Stone. We all read about the Rosetta Stone in school (at least I did), but it's only now as an adult that I can really understand its significance. As a numismatic bibliophile, imagine if all the books in your library were printed in some strange language you didn't understand. You could see the pictures, but the captions and text were incomprehensible. Then suddenly, after years of frustration a dictionary appears. Now you can really begin to read and understand what's been under your nose for so long. That's the Rosetta Stone - the key that unlocked ancient mysteries of hieroglyphic writing. A visit to the British Museum wouldn't be complete without seeing the Elgin Marbles, so soon I was in an immense gallery replicating the size and shape of the interior of the Parthenon on the Acropolis in Athens. Around the walls was an eye-level remounting of the famous carvings from the ancient landmark damaged by time and a terrible explosion in 1687. The numismatic connection here? For me it was ancient art as an inspiration for both ancient and modern coinage. The great sculptors like Augustus Saint-Gaudens all studied ancient art and architecture. A look at the figure of Iris from the west pediment of the Parthenon with all her flowing robes immediately brought to mind Saint-Gaudens' numismatic masterpiece, the obverse of the U.S. twenty dollar gold piece which debuted in 1907 (see the link below). Having been on my feet all day I was ready for a break, but not before I visited the library exhibit Hadrien Rambach had told me about. Still mapless, I wandered around the ground floor sniffing for books like a biblio-bloodhound. I was looking for the King's Library. Formed by King George III (1760-1820) and originally housed at Buckingham Palace, it was given to the nation in 1823 by his son King George IV. The breathtaking room for the King's Library was built between 1823 and 1827, and was the first part constructed for the current British Museum building. In 1998 the books were transferred to a new home in the new British Library building, and the library room was restored in time to celebrate the British Museum's 250th anniversary. Currently the room hosts an impressive permanent exhibit on The Enlightenment, a story of the museum and its early collections. The bookshelves are now filled with artifacts collected early in the museum's history, but there's still room for books - leather-bound volumes from the House of Commons Library reside here, too. One freestanding exhibit case naturally caught my eye. From the text: "The books from the King's Library shown here are devoted to numismatics - the study of coins and medals. During the eighteenth century, one of the signs of a gentleman was his library, which often included ancient artefacts such as the coins and medals in this case. They were considered essential tools of historical research and were interpreted mostly in the light of knowledge from ancient texts. Books and coins were therefore intimately linked." I couldn't agree more, and I'm sure most of our readers would, too. It was quite pleasing to see all of the exhibits and know that numismatics and numismatic literature are being exposed to visitors to The British Museum. I headed outside to rest on a bench and call my family before heading back to my hotel. For more information on The Rosetta Stone, see: The Rosetta Stone To view an image of the figure of Iris from the Parthenon, see: Image pf Iris from the Parthenon For more information on The King's Library, see: More Info For more information on Apsley House, see: Apsley House Wayne Homren, Editor The Numismatic Bibliomania Society is a non-profit organization promoting numismatic literature. See our web site at coinbooks.org. To submit items for publication in The E-Sylum, write to the Editor at this address: whomren@coinlibrary.com To subscribe go to: https://my.binhost.com/lists/listinfo/esylum | |
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