ARTISTS USES MONEY ITSELF AS HIS MEDIUM

I am kneeling on a sun-dappled hardwood floor with stacks of $20 bills in $2,000 bundles in each hand helping to spell out the word "douchebaggery," and thinking: $220,000 just doesn't seem like that much money. I found myself in this position after asking Matthew Inman, the artist behind the cartoon and business The Oatmeal, if I could take pictures when he withdrew the cash he will ultimately hand over to the American Cancer Society and the National Wildlife Federation in order to use it to make fun of a Web site that threatened him with legal action.

Inman had arranged with his bank a few days before to receive the money at a branch, where they took him into a vault to receive his cash. The bank typically has less than half that amount in cash on hand, a fact that perhaps it shouldn't have shared. He was told to bring four backpacks to hold the cash, but did his own estimations and brought a modest duffel instead.

The more you handle large sums of money, the more ridiculous the concept becomes. A $20 bill, on its own, feels like it has some worth; 1,100 of them are absurd, like confetti or Monopoly bills. There are too many to take seriously. I have this same feeling every time I try to explain to my young children how money and the economy works: "Kids, this piece of paper is different than all others. It's been imbued with magical ink properties and a sort of religious faith in the United States government."

Inman says confronted with the cash in his hands, he's uncomfortable with what he's doing. "It seems boastful," he says, worrying that it is childish spelling out obscenities and insults with hundreds of thousands of dollars on his floor. His buddy says, "When did you stop being willing to be ridiculous, Matt?" "When I turned 29." He is nearly 30 now.

To read the complete article, see: Oatmeal Spells F U in Money Shots (boingboing.net/2012/07/09/oatmeal.html)

Wayne Homren, Editor

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