An article in the July 31, 2014 issue of CoinsWeekly highlights an exhibit of Renaissance medals at the
Winterthur museum in northern Switzerland. Here's an excerpt.
-Editor
Until April 19, 2015 the new temporary exhibition offered by the Winterthur Coin Cabinet presents some 60 objects combining an outstanding Swiss private collection with in-house exhibits.
On display are creations by the leading medal artists of the Italian Renaissance, including Pisanello, Fiorentino, Matteo de’ Pasti, Sperandio, Lysippus and Giovanni Boldù. In addition to eye-catching portraits, there are also figures derived from antiquity and mythological scenes, which all draw upon Christian and ancient traditions. The exhibition Moments of Eternity considers diverse fascinating aspects that led to a golden age for art medals in the Italian Renaissance.
It is no coincidence that at this time of transition, the medal emerged as a new art form – a portable miniature artwork commemorating key intellectual and social trends, which being cast in metal was durable. Produced in limited quantities, and nestling in the palm of the viewer’s hand, a medal fulfilled the need to eternally capture fleeting moments in best manner. In their illustrations, passing events met the immortal. The medal affirmed fama (fame) and memoria (memory). Since they weren’t used for commerce, art medals made ideal presents, being distributed amongst friends and family, dedicated to guests, and assembled by collectors. Others were deposited within the cornerstones of buildings as gifts for ‘eternity’.
The Renaissance art medal by virtue of its size allowed sophisticated imagery to be crafted.
Assertive and informed artists such as Pisanello and Fiorentino realised the potential, and championed the medal along with other arts such as painting and poetry. The medal should be seen as an artistic and emblematically superior art form.
To read the complete article, see:
Moments of Eternity: Italian Medals from the Renaissance in Winterthur
(www.coinsweekly.com/en/News/4?&id=2928)
Wayne Homren, Editor
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