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            Here are a few lots that caught my eye in the catalog for Joe Levine's upcoming Presidential Coin 7 Antique 85th auction sale.
            -Editor
           Lot 8: John L. Chapman Token
          
     LOW UNLISTED. JOHN L. CHAPMAN, BALTIMORE, MD. Miller MD 30; Schenkman 60 C86. 16mm, German Silver. F/VF with fields consistent with this
          worn grade. Obverse; JOHN L. CHAPMAN BALTIMORE around MINERAL/ WATER. Reverse: JOHN L. CHAPMAN APOTHECARY around MEDICINES/ AND/
          PERFUMERY. Rulau lists three of Chapman’s tiny German Silver tokens as belonging to the Hard Times period. He further notes that “There are two
          other tokens and Chapman (Miller MD. 30 & 31) which probably are later than the Hard Times Period.” However, he cites no reason for this
          opinion and even neglects to list these two tokens in his 1845-60 Section. While we can’t disagree with Rulau’s reasoning (because there is
          none!) our inclination is to believe that if his three listed german silver tokens properly belong in the Hard Times period, then this one
          does too! ($750+) Lot 262: Bronze Plaque Of President James A. Garfield
          
     BRONZE PLAQUE OF PRESIDENT JAMES A. GARFIELD, ND. 17” Cast Bronze. Signed below the truncation of the bust with the monogram DA. About
          Uncirculated. A handsome bearded bust of Garfield faces right. The legend is inscribed in an unusually styled lettering which reads:
          TWENTIETH PRESIDENT OF THE UNITED STATES. Our consignor thought that the monogrammed signature was that of Adam Pietz. Although a cursory glance at the monogram makes it look
          like Pietz’s AP signature, closer examination reveals that it is clearly not. We have been unable to determine the identity of the artist.
          He is, however, a sculptor of obvious talent. Lot 288: Grover Cleveland Satirical Inaugural Token
          
     GROVER CLEVELAND SATIRICAL INAUGURAL TOKEN, 1885. GC 1884-11. 28m. White Metal. Bright Uncirculated. A bison is at obverse top. Between
          two horizontal lines is inscribed: BEEF/ TAKES THE / PRESIDENTIAL CHAIR/ MARCH 4TH, 1885. BELOW: R.R.R./ DID IT. At the center of the
          reverse is a figure with the body of a bird and the head of a man, perched upon a snake inscribed, UNITED SOUTH. To either side is the
          legend: I SAY NOTHING BECAUSE/ I HAVE NOTHING TO SAY. Inscribed on a ribbon below is; RENEGADE PRESS/ FREE TRADERS/ DEPENDENTS. This is one of this writer’s favorite political tokens. The bison refers to Buffalo, NY where the beefy President Cleveland was at one
          time the mayor. “R.R.R.” refers to Blaine’s unfortunate utterance of “Rum, Romanism and Rebellion”. The face of the harpy on the reverse is
          meant to be Blaine’s. The design has given us a male harpy - Virgil and Hesiod have given us only females. In Greek mythology, Harpies were
          vultures with the head and breasts of a woman. They were very fierce and loathsome, living in an atmosphere of filth and stench and
          contaminating everything which they touched! A Proof-like Unc. example brought $373.75 in our 2003 Auction Eighty Three. Lot 334: Panama Pacific Exposition Official Award Medal
          
     PANAMA PACIFIC EXPOSITION OFFICIAL AWARD MEDAL, 1915. Baxter 114; Marqusee 150. 70.4mm. Gold plated Bronze. John Flanagan, Sc. (U.S. Mint). Gem Uncirculated – as nice as we have seen. The obverse bears a pair of nude figures
          representing the uniting of the Atlantic and Pacific Oceans. The reverse features a view of the Jewell Tower, the architectural centerpiece
          of the exposition, surrounded by an expo legend. MEDAL OF AWARD inscribed within a cartouche below the building. The medal is housed in its
          uninscribed round black fabric case of issue The U.S. Mint struck only 2,000 of these medals in bronze - far fewer than the numbers struck for the official award medals for the
          Columbian and the 1904 Saint Louis Expositions. In a letter to exhibitors from the Secretary of the PPIE Award System, it was stated, “Following the custom of all expositions, and as
          already explained to exhibitors, the Medal of Award in each case is made of Bronze. By virtue of this fact, exhibitors are expected to have
          their medals PLATED, at their own expense. If the award be that of Grand Prize, Medal of Honor or Gold Medal, have the medal corresponding
          to the Diploma GOLD plated. If the award be Silver Medal, have the medal SILVER plated. If the award by Bronze Medal, LEAVE THE MEDAL
          INTACT.” Lot 336: U.S. Sesquicentennial Official Award Medal
          
     UNITED STATES SESQUICENTENNIAL OFFICIAL AWARD MEDAL, 1926. Marqusee 234. 76.5mm. Gilt Bronze. Albert Laessle, Sc. (Bailey, Banks &
          Biddle Co.). Gem Uncirculated - as nice as we have seen! The obverse portrays a young mother bald eagle who guards the home nest of peace
          and prosperity. Within the nest are two eggs which are the symbol of continuing productivity. In the background, Independence Hall is
          outlines against the rising sun. The reverse legend reads: SESQUICENTENNIAL- INTERNATIONAL - EXPOSITION - PHILADELPHIA - 1776 - 1926 around
          a wreath enclosing the inscription: MEDAL OF AWARD, above a radiant sun. Lot 358: State Department Medal
          
     STATE DEPARTMENT MEDAL. LS-1. 66.8mm. Copper, bronzed.. Salathiel Ellis, Sc. Designed by Emmanuel Leutze. Nice Uncirculated with a
          handsome mahogany finish. Obverse with the arms of the United States. The reverse depicts a rescue scene along a shore. Above is a blank
          scroll for engraving the name of the recipient. This piece is unawarded. Note that the 71mm size given by Julian is in error. John
          Kraljevich estimates that 64 unawarded specimens were struck in bronze between 1860 and 1904. For more informtion, see:
          http://www.maineantiquedigest.com/custom/presidential.htm
 
 Wayne Homren, Editor
 
 
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