Last week Bob Leonard pointed out text in the Concluding Remarks section of J.L. Riddell's A Monograph of the Silver Dollar, Good
and Bad describing how the book's plates were made. -Editor
Gary Beals writes:
Holy Gutenberg — I got some book-learnin’ to do about book printing! Thanks Bob Leonard, you caught me asleep at the switch on that
one — and I still don’t quite understand what Riddell did. Somehow he took the relief images of coins and made them simply up or down
images to print. And I accidently insulted Riddell by saying he didn’t want to spend the money on line art when he was actually
pioneering something quite new and valuable.
My ignorance of pre-photographic printing techniques leaves me in awe of you grand folks, both numismatists and book scholars.
As I work on El Numiscadero, my Spanish-English numismatic dictionary I find both the words imprenta – to print – and
impronta – to make a rubbing, I think! With Bob’s observations I can see there are still some details to be worked out.
George Kolbe writes:
In response to Bob Leonard’s E-Sylum contribution concerning the illustrations in the 1845 Riddell "Monograph of the Silver
Dollar,” I do not have an original at hand. The following footnote, which I hope is useful, follows the one sold in 2007 in Kolbe
Sale 104:
"John Leonard Riddell (1807–1865) was Melter and Refiner at the Branch Mint from 1838 to 1849; from 1860 to 1863 he served as
Postmaster of New Orleans. The illustrations in this valuable work are most unusual. Though having the superficial appearance of rubbings
they were, according to the author, made from “metal types adapted for printing, indirectly from the coins themselves, which, if they do
not always make a handsome print, give a perfectly correct, and I think, satisfactory representation.” Apparently, the resulting method
of printing necessitated the impression on only one side of each signature. Despite apparent widespread initial distribution of the
Monograph of the Dollar, sales must have been small, judging from the number of copies still extant. It is a pity. Riddell’s charming
illustrations, if appearing to be a bit crude, are amazingly accurate and are actually the most realistic depictions of coins to appear
in print up to that time. His unique process surpassed medallic ruling machine illustrations and was not superseded until the use of
photographic coin illustrations became feasible in the 1870s. Beyond its obvious interest to American numismatists, Riddell’s Monograph
is still widely consulted by collectors of Mexican and Latin American eight reales."
My recollection is that the Riddell illustrations in the reprint are of considerably lower quality than those found in the original
(consistent with most reprints done before the wonders of computer imaging technology).
Riddell’s text seems to suggest that the text and plates were printed in the same press run but I never entertained the possibility
that two runs were done and, accordingly, never looked for any such signs. Perhaps a Big E reader fortunate enough to possess an original
Riddell can provide light on the topic.
Bob also asked if someone with access to an original copy could inspect the plates for clues to their manufacture. -Editor
Dan Hamelberg writes:
I'm not sure how to tell if the original Riddell was printed in two runs. I have two originals, and one reprint, and the
illustrations and printing in the reprint are of lower quality than in the original. As I look over the original, the illustrations and
descriptions below each are printed on one side, and appear to be consistent with each other. There are good margins around the coin
illustrations, so I guess there would be a possibility of two print runs as the placement of the coin illustrations would not have to be
terribly accurate to fit the page space allotted.
In Riddell's "Concluding Remarks," he states that "After many trials, overcoming successive difficulties as they
presented themselves, I at length succeeded in preparing metal types adapted for printing, indirectly from the coins themselves, which,
if they do not always make a handsome print, give a perfectly correct, and I think, satisfactory representation." He goes on to say
"....all these matters, and the details of the plan itself, I shall give an account at a future time, in a more appropriate
place."
I'm not sure if he ever got around to an explanation as I have never seen any such information in print. So, I cannot give a
definite answer to the question of two print runs, but it would appear from the original copy that the illustrations and descriptions are
fairly uniform in appearance.
Thanks, everyone. Great topic. -Editor
To read the earlier E-Sylum article, see:
HOW RIDDELL'S 1845 MONOGRAPH ILLUSTRATIONS WERE MADE
(www.coinbooks.org/esylum_v18n32a06.html)
Wayne Homren, Editor
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