We've discussed the work of artist Santiago Montoya a couple of times beginning in 2012. Michael Alexander published a Coin Update article September 14, 2017 highlighting
an exhibition of his work at London's Halcyon Gallery. Here's an excerpt. -Editor
For most of the world's population, bank notes are an everyday part of their lives, and few give a second glance at the notes in their pockets. For those of us who ardently collect bank notes as
an activity, we admire and value them as part of an amassed collection. In my case, I routinely write about bank notes as part of my activities, concentrating on the designs of these instruments of
currency which take on a very different meaning to the countries these bank notes are issued from. Bank notes and coins often carry the task of ambassador for their respective countries when taken
outside their borders, and governments are well aware of this. Our notes, for the most part, carry messages of strength, artistry, culture, financial and political stability, and national pride, as
well as honouring personalities living and passed. This is done to great effect most of the time. However, one talented artist has concentrated on the framework of bank notes to use in his own
artwork, and has done so admirably.
Contemporary artist Santiago Montoya has taken the use of bank notes in art to a new level. Utilising their colour, design, and patterns, he has created larger designs and familiar motifs using
elements of specific bank notes.
As a collector of bank notes, what immediately catches your eye are the more familiar ones. Yet in addition to those U.S. dollars and Chinese renminbi are the more obscure (and sometimes long-ago)
notes issued in such countries as North Korea, Brasil, Cuba, Indonesia, or Latvia. Part of the joy of viewing these pieces from the standpoint of a bank-note enthusiast is being able to identify the
many notes used in a particular display or work. Montoya's eye is very keen in regard to using a specific note to achieve the most effective outcome, especially for a composite of a more familiar
image, and this is most apparent with his creation of world maps. The results—derived from the manipulation of the notes, their repeated "re-contextualising," the amassing together of notes of a
particular colour, and the addition of the element of gradient colour shifts—form a unique and innovative concept. This conjures new images of many already familiar designs or sights, such as (but
not limited to) flags, maps, or portraits.
To read the complete article, see:
The art of money: When bank notes become the focal point of creativity
(http://news.coinupdate.com/the-art-of-money-when-bank-notes-become-the-focal-point-of-creativity/)
To read the earlier E-Sylum articles, see:
SANTIAGO MONTOYA'S MONEY-INSPIRED ART (http://www.coinbooks.org/esylum_v15n49a25.html)
LONDON SHOW OF ARTIST SANTIAGO MONTOYA'S MONEY MOSAICS (http://www.coinbooks.org/esylum_v19n09a37.html)
Wayne Homren, Editor
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