An exhibit called Medallic Images of War: Death and Destruction 1850–1950 is on view at Medialia Gallery in New York through July 2019. -Editor
New Approach Contemporary Medallic Art Research Center
Through July 2019
Medallic Images of War: Death and Destruction 1850–1950
Curated by Scott Miller from the collections of David Simpson, Scott Miller, Normand Pépin, Dr. Jay Galst, Michael Parris, Dr. Ira Rezak, Frederic Withington
I reached out to Scott Miller, who kindly provided additional information. Thank you! -Editor
There are about 135 medals on loan from local collectors, with nearly all from the US and western and central Europe.
The purpose of this exhibit is to examine how medallic depictions of war, death, and destruction changed during the period from 1850 to 1950. The century covered by this
exhibition saw tremendous advances in communication which affected the distribution, images and subject matter of medals. The greatest influence on medal design was the invention
of photography, and the introduction of photojournalism.
Cultural influences on medals can also be seen, such as Victorian sentimentality on medals from the Boer War through World War I. In stark contrast to many medals produced by
Allies where the value of the individual soldier was emphasized, some of the German World War I medals emphasized the soldier’s loss of individuality as well as the gruesome
realities of war, with the Dance of Death a recurring theme.
By the Second World War, medals were largely replaced by other forms of communication, including magazines and newsreels. While some medals were produced depicting well known
figures, remarkably few depict battles. In Germany, Guido Goetz followed in his father’s footsteps and issued a few satirical medals. However, as a part of the war machine, the
medal, like the horse, was obsolete.
Medallic Images of War exhibit
Medals by Pierre Roche
Gallery Owner Mashiko and Scott Miller
Looks like a great exhibit - well worth a trip into NYC. -Editor
For more information, see:
www medialiagallery.com
Wayne Homren, Editor
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