Here's another entry from Dick Johnson's Encyclopedia of Coin and Medal Terminology. A classic. How would YOU define "medal"?
A memorial piece, of historic, commemorative, or artistic design, made in any of various ways – basically cast or struck – originally in the shape similar to a coin (but without denomination and certainly not intended to pass for money). In general, the word medal includes all forms of medallic items (except plaques); but also has a specific, numismatic definition: A medal is a round, or nearly so, medallic item between one and approximately three inches (25–80mm) diameter.
Early use of term medal As all-encompasing a term as is
medals – meaning almost everything medallic – the term originally meant even more. It once meant uncurrent coins as well, particularly those housed in collections. Undoubtedly this came from the early Low Latin word medalla which meant
a small coin.
Numismatic curator Jean Babelon once wrote:
In Italy the term ‘medal' was applied to pieces preserved in collections because they were no longer current and had a purely scientific or historical interest. This was expressed in the title of a classic work by John Addison in the 17th century,
Dialogues upon the Usefulness of Ancient Medals, was a book on ancient coins!
Medal characteristics. Medals have a very wide appeal, both for their beauty, artistic design, topical subject matter and ability to present a portrait, but also for their historic value. Medals are the most ideal form of commemorating an event or person because of their permanence. We know of events from the past, where and when – and who was involved – because of medals. Medals can exist and pass on these pictorial elements and lettering to people in the future for thousands of years.
Medals are the link between numismatics and virtually everyone in the world. They are the most coveted, distinctive way to honor a scientist, humanitarian or athlete. Every intelligent person in the world knows of the award ceremony of the Nobel Medal in Sweden, or the Olympic medals on the tri-tiered steps at the Olympic games. Medals can be created to honor the school child for excellence in studies, or the inventor of a lifesaving serum. Medals are permanent records of man's achievements, noble events, and personal accomplishments!
Medals are also an ideal medium for portraits. The first use of the medal created by Pisanello in 1438 was to bear a portrait. Royal families took to medals for individual portraits and passed them to other royal families much like we send family photographs today.
Of equal importance to the pictorial element on medals – its DEVICE – is its inscription, the lettering that names, explains, describes or amplifies the device. The obvious shortcoming of lettering is, of course, it has to be in a language that perhaps will not be in existence a thousand years from now. Can anyone read it then?
Just as we observe two-thousand year old coins with inscriptions in a dead language, will the language we put on medals today be understandable in the distant future? Will scholars of the future study English as a forgotten, obsolete tongue? Yet we have no other choice.
The chore rests with the medal designer, its creator. The goal is to design both device and inscription so attractive, so desirable, so enchanting, so appealing to be important enough to want to preserve it. Forever. Desired by both individuals and museums alike to want to posses it for the recall of its substance. To remember why it was issued.
1) Longevity (Long lasting).
2) Beauty (Artistry).
3) Image (Portraiture, Award, Honor).
4) Commemoration (Celebration).
5) Perspective Charm (Miniature Art).
6) Narration (Picture & Legend).
7) Intimacy (Personal Size).
8) Permanence (Hard Form).
9) Bilateral (Two-sidedness).
10) Accuracy (Documentation).
To read the complete entry on the Newman Numismatic Portal, see:
Wayne Homren, Editor
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