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Welcome to The E-Sylum: Volume 10, Number 29, July 22, 2007: an electronic publication of the Numismatic Bibliomania Society. Copyright (c) 2007, The Numismatic Bibliomania Society. WAYNE'S WORDS: THE E-SYLUM 22 JULY, 2007 Among our recent subscribers are Dan Griffin and Howard Cohen. Welcome aboard! We now have 1,157 subscribers. No more Wayne's Word's this week - there are too many of them already in the London Diary. While I was off having my numismatic adventures this weekend, several emails and new submissions arrived, but too late for this issue. I'll respond tomorrow and will work the submissions into next week's issue. Have a great week, everyone! Wayne Homren Numismatic Bibliomania Society MOULTON HENRY VOIGHT BOOK NOW AVAILABLE Karl Moulton's long awaited "Henry Voigt and Others Involved in America's Early Coinage" will be available for purchase at the American Numismatic Association 2007 convention in Milwaukee next month. Karl Moulton writes: "This 230 plus page, hardbound book describes in detail the history and drama of the first United States Mint. It outlines the problems the people who worked there encountered in producing the coinage that was so needed and wanted. Many original source documents from the National Archives were utilized. The 1792 issues are well chronicled by letters from President George Washington, Secretary of State Thomas Jefferson, and Mint Director David Rittenhouse. Those coins were not patterns, but rather were the first circulating federal currency made after the Mint Act of April 2, 1792, was signed into law by President Washington. A color picture of the finest 1792 half disme previously owned by David Rittenhouse is displayed on the front cover. Subjects include Henry Voigt's involvement with steam engines, numerous pages from his 1793 daily U.S. Mint work ledger, the 1793 Yellow Fever epidemic, America's first coin dealer, the 1796 Quarters, John Reich, Electrotypes, the "E" and "L" counterstamped quarters, and one titled "Modern Misinformation" (of which there has been plenty). Many illustrations found in the Henry Voigt book have never been seen in any other numismatic text. Some of these include Patience Wright and the 1793 Liberty Cap Cent, Mint Treasurer Tristram Dalton and pages from his 1793 account ledger, the U.S. Mint's 1792 coinage expenses, a visitor register page with Adam Eckfeldt's signature, David Rittenhouse's 1794 silver ingot deposits (these were made into 1794 dollars), and a wonderful 1795 portrait of Anne Bingham (the model seen on the Draped Bust coinage) done by artist Gilbert Stuart. Respected numismatist and author Q. David Bowers wrote the foreword. Some of his comments include, "Henry Voigt and Others Involved with America's Early Coinage is a tour de force...this is the finest first-person (so to speak) account I have read on the subject...I learned a lot while reading this book, correcting many impressions I had earlier." This historically important book was published by the Cardinal Collection Educational Foundation, which supports research and publications about early American money. Copies of this 6x9 book will be available for $79. ppd. Checks should be made payable to CCEF. For those unable to attend the ANA this year, we will ship them out after returning from the ANA show. For further information and ordering addresses, please check www.coincats.com or www.Earlyuscoins.org. As a treat for the dedicated bibliophile, plans are in the works for a deluxe leatherbound, large paper, and extra illustrated version to be ready later this year. Stay tuned." BOOK REVIEW: THE AUTHORITATIVE REFERENCE ON BUFFALO NICKELS, SECOND EDITION I've been far behind on my book reviewing duties since I've come to London. My library is far away and it's difficult to bring many books along for the trip. But this week I take a look at the 2007 Second edition of "The Authoritative Reference on Buffalo Nickels" by John Wexler, Ron Pope and Kevin Flynn. Multi-author books are something I'm typically wary of - it takes the vision of a single lead author to pull a publishing project together. But most books of value are the product of multiple contributors, and when contributors have a particularly large role it's only fair to extend authorship credit. The book also has a two-page Acknowledgements section crediting (among many others) Roger Burdette, Ken Bressett, Dave Bowers, Tom DeLorey, David Lange, Bill Fivaz and John Dannreuther. It is interesting (and not at all unusual in numismatics) that the contributors include authors of competing books on the series (David Lange and Dave Bowers). I don't have the Lange Buffalo Nickel book with me, nor do I have the 1st edition of the Wexler book, so I'm at a disadvantage here. But I did manage to squeeze a copy of the softbound Bowers "A Guide Book of Buffalo and Jefferson Nickels" into my luggage for comparison, even though it doesn't have the same focus on die varieties. Both editions of the Wexler book focus on Buffalo nickel die varieties. According to the introduction to the second edition one new feature is a date-by-date analysis of the series. Also new to this edition are a number of new varieties. The second edition has a 2007 copyright date, but population totals provided by grading services PCGS and NGC are copyrighted 2005 and may be outdated. Red Book values are shown in the date-by-date section. The copyright date is not mentioned and perhaps these are outdated as well. With any book on die varieties, the quality of the photos is paramount. I'll give the book a "B" on this score - the photos are generally good, but some are a bit fuzzy. All of them could benefit from a better glossy paper stock. If I were to sum up the differences in quality and size of photos between the Zyrus-published Wexler book and the Whitman-published Bowers book, I'd use a restaurant analogy - the food is OK, but the portions! The Wexler book has lesser quality photo printing, but far more photos, and most are a good bit larger. Now remember, the Bowers book isn't focused on varieties and doesn't require as many photos. But I did find the larger photos of the Wexler book (particularly in the date-by-date section) much more satisfying. In the Whitman book, the photos are smaller and the details are harder to see. As my wife would say, maybe I'm just getting old... Another peeve with the production quality of the Wexler book is that the perfect-bound covers lack a scoring line. This detail would be overlooked by many, but it's present in the Whitman books and evidence of a higher production standard. There's not a lot of reading material in the Wexler book, although it does have some good essays on proof issues and cameo or satin strikes, and a couple chapters explaining die varieties in general and doubled dies in particular. But if I'm not mistaken this same general text appears in Flynn books on other coin series, so it's nothing new for readers with access to those other titles. Despite its shortcomings I would certainly recommend the book for any specialist in Buffalo Nickel varieties. But for historical background and any other information beyond varieties, be sure to have the Lange and Bowers books on your shelf as well. For more information, see the publisher's web site at: More Info BOOK REVIEW: BUFFALO NICKELS: THE ABRADED DIE VARIETIES BY RON POPE Ron Pope is an E-Sylum subscriber and co-author of "The Authoritative Reference on Buffalo Nickels" reviewed above. He was kind enough to send me a copy of his own self-published book, "Buffalo Nickels: The Abraded Die Varieties", now in its fifth printing (June 2007). The softcovered, spiral-bound 204-page book covers in great detail the sub-specialty of Buffalo Nickel varieties "produced by abrading or polishing of the die(s)." Pope notes that "The elimination of clash marks is the commonly accepted reason for the abrading of the dies, but otherwise good dies that have suffered from rust certainly can't be ruled out. This is the possible explanation for the 1937-D 3 legged variety (this was first theorized nearly forty years ago in one volume of 'The Whitman Numismatic Journal')" The book is printed on a flat-finished paper, and like the Wexler book it could benefit from a higher quality glossy paper stock. But nonetheless the photos seem quite good. Many of the coins are illustrated with enlarged photos augmented with black arrows pointing out the key diagnostic areas. Creating these photos must have been a very painstaking and time-consuming task, and the book greatly benefits from the effort. I was also quite impressed with the nearly full-page photos of two different die clashed obverses (p10-11). Pope's book is very well organized and his attention to detail is obvious. The book includes a date-by-date strike analysis "based on the author's observation of over 150,000 coins on the Internet and from other personal observations." As with the Wexler book, I would recommend Pope's book to any specialist in Buffalo Nickel varieties. Further, I would recommend it as a model for other books in the genre. Pope's detailed, annotated photos and methodical record keeping are commendable. My only suggestions for improvement are minor - other than an improved paper stock, I would recommend experimenting with a different typeface to soften the computer-printout look. To order the Abraded Die book contact author Ron Pope at coinquest_sixtyone@yahoo.com - he prints them on demand. The price is $16.50 + $3 shipping. ROBERT DUPHORNE AND THE 'OTHER' BUST QUARTER BOOK Members of the John Reich Collectors Society receive the group's quarterly publication, the John Reich Journal. I picked up my copy on my visit home last weekend. One of the featured articles is "Robert Duphorne and the 'Other' Bust Quarter Book." by Louis Scuderi. The eight-page article is a trove of information on this relatively obscure title. I've had a copy in my library for years but never knew much about the author, and I doubt that any bibliophile knew much until now. Scuderi purchased a copy of the Duphorne book at the 1996 American Numismatic Association convention. The book was published in 1975 and had been disparaged by Walter Breen and others. For example, Karl Moulton has written that "Bergen lent his notes about corrections and new varieties not listd in the original Browning work to R. Duphorne for his rather worthless book about Early Quarter Dollars that was published in 1975. If Mr. Duphorne does indeed exist, he has never come forth to accept the credit or blame for this particular volume." Full Story Through a chance discussion with a coin dealer, Scuderi learned that Duphorne was from Albuquerque, NM. Since that's where Scuderi lives too, he pulled out the phone book and found a listing for a Robert Duphorne. After a number of failed attempts, he finally reached the octogenarian author. Bob had specialized in collecting bust quarters and in the early 1970s he decided that the 50th anniversary of the publication of Browning's book would be a fine time for a new reference on the topic. Some 90% of the coins pictured in the book were from his own collection, which he'd pieced together primarily by searching dealer stocks, augmented with an occasional auction purchase. The book was a compilation of all the information Duphorne had gathered on the series. Since Duphorne did his collecting outside of the mainstream numismatic scene, "his book came as somewhat of a surprise and was viewed with some suspicion. However, in terms of his use of attribution information, he was far ahead of what was normally used in 1975 for capped bust silver. His obverse and reverse identification charts ... contain information that is now commonly found in the newer books..." "Since Robert Duphorne was such an unknown in numismatic circles, it was easy for a few comments on the part of Walter Breen to color the views of subsequent collectors. It is also quite clear that Breen's dismissal of the D92 coin was based on a conversation that never occurred." [Congratulations to Scuderi and JRCS on a great article. What other outside-the-mainstream numismatic authors are out there awaiting discovery? Can anyone suggest other mystery writer worth researching? -Editor] GLEANINGS FROM RECENT NUMISMATIC PERIODICALS In recent weeks a number of interesting items have been published in the numismatic press; there's not enough time or space to cover them all in detail, but I'll summarize a number of them - please comment if you have something you'd like to add to the discussion. ROBERT LOVETT GRAVESTONE PLAQUE DEDICATION REPORT Last week we excerpted a report from the Zanesville Times Recorder about the recent dedication of an American Numismatic Association Hall of Fame plaque for Robert Lovett, Jr. Harold Levi was there for the ceremony and sends us this report. He writes: "A bronze plaque was made to commemorate Robert Lovett, Jr.’s induction into the Hall of Fame, which was mounted forward of the headstone between the two halves of the Confederate cent. The July 14, 2007 dedication ceremony was attended by the President of the Ohio Department of the United Daughters of the Confederacy, members of the Sons of Confederate Veterans, Civil War reenactors, and several others. "At the dedication, George Corell gave a short history of our work. I explained that RL was inducted into the Hall of Fame for the depth and breadth of his artistic talent and the body of his work, not just for creating the Confederate cent. The ANA award was displayed during the ceremony, thanks to Katie Jaeger. I wore my Confederate uniform with red sash and sabre. At the end of the ceremony, I performed a sabre salute with the coordinated firing of a musket salute by Confederate reenactors. A cannon salute had been planned but we were unable to get it organized. "For those who may have seen the newspaper report, let me assure you that George Corell and I were not inducted into the ANA Hall of Fame, infamy maybe. The Zanesville and Morgan County (Ohio) newspapers reported that George and I had been inducted into the Hall of Fame not Lovett. While in McConnelsville, I discovered the source of the reporting error. It was a misunderstanding by someone that was about three tiers out from the source. It was a bit like a rumor, the farther from the source the more it distorts." ROBERT LOVETT GRAVESTONE PLAQUE DEDICATED esylum_v10n28a08.html HARMER ROOKE MILLION DOLLAR SALE CIVIL WAR TOKEN SESSION PRL FOUND Responding to Steve Butler's query in last week's issue, Bill Rau offered to send Steve a copy of the Harmer Rooke 'A Million Dollar Sale' of November 17, 1969, and I put the two of them in touch. Bill adds: "The ANA library should have two copies of this too. Amber may have been looking in the wrong place, or they may have been misfiled. I inventoried their auction catalogs for them, finishing the project last December." HARMER ROOKE MILLION DOLLAR SALE CIVIL WAR TOKEN SESSION PRL SOUGHT esylum_v10n28a15.html MORE ON THE PROPOSED ANS MOVE Regarding last week's discussion of the proposed move of the American Numismatic Society's headquarters, Dan Hamelberg writes: "George Cuhaj's information was clearly from an inaccurate source. I think Ute did a fine job in putting the record straight regarding the ANS move to Hudson Square. More information will follow as the move takes shape. "Regarding the Hudson Square building, the build out will be first class. Some of the other tenants in the building include a University and the Jackie Robinson museum. The immediate area borders the Tribeca district to the south, and the Village area to the north. New York University is nearby, and some future exchange opportunities may be possible. "To describe Hudson Square as 'a recent factory conversion' is extremely misleading. The main lobby at Hudson has won architectural awards. The tenant base is diverse and upscale. This is not just another office building. Each build out will be distinctive and first class. The ANS will be accessible and usable. In addition to dedicated visitors, I expect that we will get visits from the general population and other visitors to the building - hardly cold storage." NUMISMATIST WILLIAM BENTLEY AND ALLEGHENY COLLEGE Regarding last week's item about the runaway wrecking ball, Katie Jaeger writes: "I'm proud to say I am a graduate of Allegheny College, where the wrecking ball decided to take leave of its cable. I heard the people in the car in the AP photo were spared more grievous injury because they'd carried a trunkful of soccer balls. "A small correction; they weren't knocking down the old library (or if it is old, then I am REALLY old). They were making room to add onto the new one; new in 1979, that is, my senior year. It had been under construction for the first three years I attended. "Allegheny was founded in 1815. William Bentley, one of the earliest U.S. coin collectors, was a benefactor. He willed half his library to Allegheny and the other half to the American Antiquarian Society; a description of his book collection is at the Allegheny website, the link being esylum_v10n28a15.html " [William Bentley's name has come up before in The E-Sylum, as apparently the very first coin dealer in the U.S. His main customer was Judge James Winthrop. He sold Judge Winthrop Swedish Plate Money on August 26th, 1787. -Editor] LIBRARY BEING DEMOLISHED FIGHTS BACK esylum_v10n28a26.html OLDEST COIN COLLECTION RECORDED IN THE U.S.? esylum_v03n46a08.html TRACKING CHIEF COINERS OF THE U.S. MINT Regarding Bob Merchant's query about the Chief Coiners, Dave Ginsburg writes: "Because the Mint Officers are filled by Presidential appointment, with the advice and consent of the Senate, one can track their appointments in the Senate Executive Journal available on the Library of Congress' website (at Senate Executive Journal). The many volumes of Congressional activities are searchable, so with a little effort, he'll be able to see when Mint Officers were appointed and confirmed (or not, as the case may be). "I recently searched the Senate Executive Journal to compile a list of the Officers of the New Orleans Mint from 1838 to 1861 and it was a fairly simple process. "Unfortunately, the Senate Executive Journal only goes up to 1875, but at least he'll be able to track the first hundred years (or so) of appointments." 1857 MINT REPORT SOUGHT Dave Ginsburg writes: "Does anyone have a copy of the Annual Report of the Director of the Mint for 1857? (It's included in the Secretary of the Treasury's Annual Report on the Finances for 1857 and only covers the first half of the calendar year.) The copy that I have is missing the first half of Table A, which shows the sources of the deposits (foreign coin, foreign bullion, etc.) of gold and silver in the various mints and should be on page 61. I'd really appreciate it if anyone can help by providing a copy of the page or the information on it. Thanks!" MANLEY-MARSHALL MOVIE SPECULATION: THE S.S. CENTRAL AMERICA STORY? Donn Pearlman of Las Vegas, NV writes: "In reference to an item in the July 15, 2007 E-Sylum, I do not know the specifics of any reported movie project involving Dwight Manley and Penny Marshall. However, one possible topic is the story of the SS Central America, the legendary 'Ship of Gold' that sank in 1857 carrying tons of California Gold Rush coins and ingots. I believe there was an option picked up some years ago for a potential motion picture project based on the best-selling book, 'Ship of Gold (in the Deep Blue Sea)'. "The Central America treasure has several wonderful -- as they say in Hollywood -- "back stories" besides the ship sinking in a hurricane in 1857: a newlywed couple on board survived -- she in a lifeboat, he clinging to debris for hours until another ship rescued him; the ensuing financial panic in New York City when the gold was lost; and other human interest angles to the saga. There was a History Channel one-hour documentary about the sinking and recovery, but a feature length film would be a truly exciting project. "Several times I've joked about a possible movie with the convivial Robert Evans, the chief scientist and historian on the Columbus-America Discovery Group mission that found and retrieved the treasure in the 1980's. 'Who do you want playing your role in the film?,' I'd ask. I believe Bob's first choice was either Robert Redford or Harrison Ford..... Maybe we could have George Clooney and call the film 'Ocean's 1857'...." NUMISMATISTS MANLEY AND MARSHALL IN A MOVIE DEAL? esylum_v10n28a07.html UPDATE ON HOWARD BERLIN'S NUMISMATIC TRAVELS Fellow Numismatourist Dr. Howard Berlin writes: "My last numismatic trip was in May to Dusseldorf, Cologne, and Frankfurt. While in Frankfurt I was escorted around the Deutsches Bundesbank museum and their numismatic library. "All of my trips to museums around the world having numismatic exhibits will be the subject of my regular column (with pictures) in the soon-to-be-released WorldWide Coins, a bi-monthly magazine of Amos Press, which will be available at next month's ANA show. I think the leadoff issue will deal with the coins at the Roman Baths of Bath, England. Other cities visited for subsequent articles include Berlin, London, Oxford, Cambridge, Dublin, Tel Aviv, Jerusalem, Cologne, Frankfurt, Athens, and St. Louis. Many of these museums also have numismatic libraries, and most are available to the public for research. "On tap later this year In November is a trip to Venice and Milan. I understand there is a coin collection on display at the Sforzesco Castle (Milan). I'm not aware of any numismatic exhibits in Venice though. Does anyone know of any? From Milan I go to Monte Carlo and visit, besides the casino, the Museum of Stamps and Coins. "In December I go to Stuttgart and Munich. Not much in Stuttgart for me except the Mercedes Benz and Porsche car museums. In Munich I have an appointment to meet with the Director of the Bavarian State Numismatic Museum in the museum complex called the Residenz. The medieval Bavarian mint is close by as well as the BMW car museum. "In many of my trips throughout Europe, I have found that the local city museum often has an exhibit consisting of a few display cases of coins and banknotes. Sometimes, the treasury of cathedrals, such as the Cologne Cathedral, has coins on display. The Cologne Cathedral treasury, two levels below ground, had a display of 29 gold coins from the approximately the 10th to the 18th century whose obverse had the portrait of the archbishop of Cologne. "In March of next year I have reservations for Copenhagen and Stockholm. Both cities have well-known numismatic museums which I will visit and photograph for future columns. "Does anyone know specifically of any numismatic museum or permanent exhibit in Paris and if so, if it has a web site? There are a number of reasons why I have no great desire to visit France and in the many years of traveling, I have never been in France. However I would bite my tongue when I'm in London in the future, take a 2-1/2 hour train ride to Paris to visit the museum to gather material and pictures for a future column, and head right back to London without staying in France. "Not all the museums I will visit are outside the US. There will be some places that I probably will never get to, such as the some of the numismatic museums in Russia, and other parts of the former Soviet Union. I was once there 40 years ago, and am not sure if I want to go again. I might have to write about certain places without having been there. "However, I encourage anyone to suggest a venue worthy of my going there and writing about. Perhaps I have already been there and written about it and it is waiting to be published. Perhaps I have been considering it but haven't bought airplane tickets for there yet or am waiting for opportune time to group several places on the same trip. If you e-mail Wayne with your suggestion, he'll pass it onto me. I will do my best to answer all e-mails. If you read the magazine or my column and have any suggestions feel free to drop me a line." WAYNE'S LONDON DIARY 22 JULY, 2007 Bob Neale writes: "I, too, enjoy reading of your adventures in merry England. I wonder whether there is anyone in the numismatic world that you don't know, or know of and recall?" Well, it only seems that way. I've only actually met a small number of my E-Sylum readers in person, but back in my single days I made it a point to seek out and meet the U.S. numismatic luminaries of the day. Sadly, a number of them are gone now, including collectors John Pittman, Harry Boosel, John Ford, Walter Breen, Jules Reiver and Donald Miller and bibliophiles/literature dealers Armand Champa, Frank Katen, Ken Lowe, Jack Collins and John Bergman. I'm not that old (really), but I'm starting to feel that way. My London assignment has given me the opportunity to resume that quest in England while I have some time away from my family obligations. Once back in the U.S. my numismatic activities will shrink back to email interactions. Regarding my translation of "Llantrisant", Peter Gaspar writes: "I thought others would write you about your definition of "llan" = land. During my nearly 20 years visiting the Mint at and working with Graham Dyer I have always heard that "llan" means "church", i.e. Llantrisant "the church of the three saints." I don't have a proper Welsh dictionary, but my Welsh grammar book does refer to llan as church. You might want to check it out." [I was paraphrasing my recollection of Harry Mernick's discussion of the Llantrisant Longbowmen medal, so I'm not surprised that I may have gotten something wrong. Thanks for setting us straight! -Editor] My numismatic adventures began on Tuesday this week. I'd received a submission from Dick Johnson about an upcoming exhibit on the famous philatelic portrait of Queen Elizabeth II. Dick wondered if the exhibit had a connection to coins as well as stamps. It turned out that it did, and when I noticed that the exhibit was about to open in London, I went on a scouting trip after work. The exhibit was at the London College of Art. I poked around to find an address and could only find a listing on "Kensington Gore". I didn't know if that was a street, a building, a campus or what. There was no street number, but maps showed a Kensington Gore street winding for a few blocks near the Royal Albert Hall. I'd seen the Albert Hall on my earlier walks through Hyde Park. Along the Kensington side of the park is the immense Albert Memorial built by Queen Victoria to honor her late husband who had died at 42 of typhoid fever. Across the street is the Royal Albert Hall, a concert venue built in 1871. If you're familiar with the Beatles' "A Day in the Life", you'll remember the lyric, inspired by a mundane news report about filling potholes: "Four thousand holes in Blackburn, Lancashire / They had to count them all / Now they know how many holes it takes to fill the Albert Hall" Anyway, it was a beautiful evening and I decided to walk home again along a different route, in search of the Royal College of Art. I set out toward Piccadilly Circus again, but this time winding up and down various arcades, alleys and sidestreets. I cheated a bit by taking the tube two stops to a point near Harrods's department store. Harrod's is synonymous with luxury. I had been nearby before but hadn't bothered to stop in. My wife teased me and said I should at least take a look. So I did. Outside, a crowd was gathered. A bored-looking woman was modeling clothes for a photographer. He snapped his camera while another man filmed with a video camera. The crowd snapped shots of their own. Supermodel? a nobody? I didn't know or care - in I walked to the store. I passed through an enormous room offering nothing but perfume. I didn't check the prices. Then I entered a room full of purses and gave her a call on my cell phone. I told her about a nice one on sale for 365 GBD (over $700). She wanted five of them, but she was teasing again (I think). Exiting Harrods I kept walking toward Hyde Park. I came across the Brompton Oratory, a huge Catholic Church. Next to the Oratory was the Victoria and Albert Museum (or V&A as it's known locally). Beyond that were the Natural History and Science museums. I found Kensington Gore Street and started walking, keeping an eye out for the Royal College of Art. I eventually found it, right next to Albert Hall. A banner attached to a fence announced the exhibit: "The Timeless & Classic: Elizabeth, Queen & Icon" (see the next item for more information). It wouldn't open until Thursday, but at least know I knew where to find it. I marched across the street into Hyde Park and crossed over to my neighborhood for dinner (Indian again, and one more Cobra beer). If felt good to get to my hotel and change out of my suit and dress shoes. Wednesday turned out to be a long day at the office, but we had a pleasant lunch meeting at Kettners in Soho. Just yards from our office, it's one of London's oldest restaurants, founded 140 years ago by Auguste Kettner, former chef to Emperor Napoleon III. Kettner's Book of the Table: A Manual of Cookery was published in 1871 and remains one of the world's most famous cookbooks. Luckily we ate well, because I didn't get out of the office until 9:30 that night. I met my colleagues for a beer at Prince Alfred in Bayswater near our hotel. Dinner was a bag of potato crisps and two cool pints. Having worked so late the night before I didn't feel too guilty ducking out at 4:15 Thursday. It was opening day of the "Timeless & Classic" exhibit, and it closed at 5:00. I hailed a cab and said "Albert Hall, please". After slogging through rush hour traffic I arrived with only about 20 minutes to spare. The exhibit was in the lobby of the Royal College of Art building. I grabbed some brochures, pulled out my notepad and started furiously writing as I marched through the exhibit. I skipped the philatelic parts to concentrate more on the numismatic aspects. It was a beautiful exhibit (see the review below). But at 5pm I was given the bum's rush out the door. Fittingly, it was now raining. I put my notes in my packpack and pulled out my folding umbrella. Across Hyde Park I walked again, this time stopping for Chinese food before returning to my hotel. That evening I worked on the E-Sylum draft while doing laundry. Friday brought a hellacious rainstorm to central London. Just before noon the sky darkened until it looked like night. Soon the skies opened up and just poured. Too hungry to postpone lunch I reached for my handy folding umbrella, but it wasn't there - I must have left it at the restaurant Thursday night. Luckily, we have some spares in the office. I crossed the street through heavy stop and go traffic and gladly entered a nearby restaurant. The waiter told me there was already flooding in many towns. In a number of areas water rose to people's knees. Later, portions of the underground closed due to flooding. Not long after lunch the sun came out again. At 7pm my colleagues and I left the office to join some friends at the Lowlander Pub on Drury Street in Covent Garden. Belgian beer flowed and for dinner I had the Belgian version of a British staple - Bangers and Mash (sausages and mashed potatoes). This version used Wild Boar sausage and apples in a bowl of smooth potatoes and gravy. About 9:15 my gravy-stained white polo shirt and I headed back to the office to pick up my bag. I passed a number of only-in-London sites. Big as life on the outside of three different buildings, were life-size reproductions of Old Master paintings, frames and all, along with those ubiquitous museum-style description plaques. They were part of a twelve-week publicity program by the National Gallery called The Grand Tour. Coincidentally, the first painting I came across was John Constable's 'The Hay Wain'. At my last job in Pittsburgh the gang put up a copy of the painting and called it "Hey, Wayne!" (I am not making this up!). Next I passed through Seven Dials, an intersection where seven streets converge on a circle. At the center is a tall stone monument sporting at the top six sundials (the original 1690s plan was for six streets, but one more was added for good measure). By the time of Charles Dickens the area was a notorious slum. The original column was pulled down in 1773, but replaced in 1989 with a column matching the original design. Why build a crazy intersection with seven roads? The developer wanted to maximize the number of houses to increase his profits. See, in The E-Sylum everything eventually comes back to money, if not coins. Passing several book stores, many of them had signs saying they would reopen at midnight to sell the seventh and final book in the Harry Potter series. Television showed lines of young people, many dressed in Potter-inspired outfits, waiting in line at a Piccadilly Circus store. I'm hoping that's why one young man in the subway had his face covered in green makeup. After stopping for some groceries I went back to my hotel where I organized my backpack for Saturday's journey. On Saturday morning I took the tube to King's Cross Station and boarded a train to Cambridge. Ten minutes from London and I was viewing fields of cows and horse. The trip took about 45 minutes altogether. Disembarking at the Cambridge Station, I bought a local map from a vending machine in exchange for a one pound coin. But the map turned out to cover only the city center didn't show me the complete journey. I asked a young lady for assistance, and she was very helpful. Up the street to the war monument I went, then turned right. Once I was deep into the city I realized I'd missed my turn - the street I wanted hadn't been marked with a sign. But with map in hand I managed to wind my way closer and closer to the Fitzwilliam. When I turned onto Trumpington Street, I couldn't help but notice the running water in channels at along the stone curbs. Later I would learn that these were the part of the original means of transporting water into the town and they'd never been covered over or replaced. In places the channel was clogged with leaves leaving a stagnant pool of water, perhaps a remnant of yesterday's downpours. Hobson's Conduit was built from 1610 to 1614 by Thomas Hobson to bring fresh water into the city (see links below for more information). The channels travel right past the front of the stately Fitzwilliam Museum building. I climbed the steps to the front entrance and asked for Professor Buttrey in the Coin department. Soon we were shaking hands in the grand marble lobby. Ted was quite welcoming and gave me a short overview of the history of the museum and its collections. The original core holdings of art and literature began with an 1816 bequest to the University of Cambridge by Richard Fitzwilliam (Richard, VII Viscount Fitzwilliam of Merrion, thank you). Today the museum is one of Britain's finest, holding masterpieces of painting from the fourteenth century to the present day, drawings and prints, sculpture, furniture, armour, pottery and glass, and of course, coins and medals. The grand main building opened in 1848 and has been added to since then. Just off the mail lobby is the Founder's Library which includes a number of numismatic works. It being a Saturday, that room was unfortunately closed. Ted guided me back to the coin department and unlocked the door. Inside was a wondrous sight - a large rectangular room with twelve-foot ceilings and all four walls lined with floor to ceiling shelving holding coin cabinets and numismatic literature. The long walls each hold about forty mostly small wooden coin cabinets. The short wall to the left holds about twenty coin cabinets of mixed sizes, including two 16th-century leather coin cabinets; in front of it is a double-sided freestanding bookcase topped with decorative coin cabinets including one stunning custom-built cabinet in the form of a Roman temple, complete with columns. In front of the final windowed wall are a set of desks and additional shelving. In the center of the room is a long library working table. Along the top of the short wall is this inscription: "This room in which are kept the Greek coins given and bequeathed by John Robinson McClean, M.A. of Trinity College was built at the cost of his brother William Newsam McClean, M.A. of the same college in 1923." Atop a set of new freestanding bookshelves in front of the desk area is an inscription reading "The bookcase were built at the cost of grandchildren and a great grandchild of William Newsom McClean M.A. in 2006." Buttrey introduced me to Assistant Keeper Dr. Martin Allen, who was hard at work at one of the desks. We sat at the library table and Ted explained some of the history of the collections. Cambridge University is a collection of many small colleges, independently founded and functioning as separate organizations. Each college had its own libraries and collections. A number of the Dons collected coins and bequeathed their collection to their college. A modern day example of this tradition is the late Professor Philip Grierson, who died last year at the age of 95 and left his numismatic library, notes, and collection of Medieval European coinage to the University. One of the earlier donors was William Martin Leake, an early 19th century British topographer and antiquarian. He traveled to the middle and far east to map the territory for the British, and he used numismatic evidence to enhance his knowledge of the history of the areas. He published Numismata Hellenica in 1854 and bequeathed six cabinets holding 10,000 Greek coins to Cambridge University. At the time it was the largest collection ever acquired by any University to date. Another donor, Mr. Lewis, gave six cabinets of coins, including the Roman temple cabinet. Christopher Blunt donated a large collection of Anglo-Saxon and early Norman coinage. Today the collection consists of about 250,000 coins and medals, about 20,000 of which are viewable online. Professor Buttrey has been associated with the department for nearly twenty years. He was appointed Keeper of the Department of Coins and Medals in 1988 and was the first to hold a doctorate. Today a staff of eight (both paid and volunteer), oversees the collection. All eight hold doctorates. Buttrey retired in 1991 but continues as a volunteer. Every year he teaches an introductory course in Greek and Roman numismatic with Assistant Keeper Adi Popescu. Dr Mark Blackburn has been Head of the Department of Coins and Medals since Buttrey's retirement in 1991; his particularly interest is with the Medieval and Oriental coins and historical medals. Updating Roman Imperial Coinage Volume II, Part 1 is Buttrey's primary research project. He has traveled the world visiting collections to verify and update information on the known specimens of the coins of Titus, Vespasian and other rulers covered in the volume. The revised work will not only be much larger, but more accurate and better annotated. A related project of interest to bibliophiles is Buttrey's work in acquiring and cataloging numismatic auction catalogues of the world. When he arrived at the Fitzwilliam there were about 5,000 catalogues in the holdings; today the total is about 40,000. The main room where we were sitting was only one part of the coin department. Ted led me on a tour before we took a break for lunch. Behind the main room were a series of smaller rooms and the office of Keeper Blackburn. Beside a window stood a stand for taking photographs of coins. Everywhere was lined with shelving holding more numismatic books. One room held periodicals on both fixed and moveable shelves. The British Numismatic Journal were present, as was the Armenian Numismatic Journal. A stairway led upstairs and I just had to ask what in the world was the purpose of a metal crank sticking out of the stairway wall. It's there to close the iron shutters - every night the building is locked up tight as a drum, and thankfully, there has never been a break-in. The cramped room upstairs holds the catalog collection on sets of fixed and movable shelves. The catalogs are stored in labeled boxes placed on the shelves. Near the door is a shelf holding an absolutely beautiful group of about 150 leatherbound 19th century catalogues. Most came from a 1933 donation by J. S. Henderson. The earliest of the group was a priced and named 1756 Martin Folkes sale; also present was an 1811 Leigh & Sotheby sale. Recently a visitor from a bank in Cologne, Germany provided a photocopy of an obscure catalogue of German numismatic auction catalogues prior to 1945. So much information, so little time! The list would be ideal for entering into a database. Buttrey updates his catalog of catalogues daily as new acquisitions are logged. Each month an updated version is posted to the museum's web site. Despite the size of the collection, there are numerous holes. A number of donors have come forth to help fill the gaps; occasionally packages will arrive with a note stating that they'd noticed a gap in the online catalog and shipped some catalogues to donate to the collection. You can view the online catalogue at fitzmuseum.cam.ac.uk/coins We stepped outside for some fresh air and lunch. The genial Buttrey insisted on buying. We walked down the street to Martin's Coffee House, proudly named once as one of Britain's "finest greasy spoons". Looking forward to his usual jacket potato (stuffed baked potato for those in the U.S.), Ted expressed mock horror on being told that the last potato had just been sold. We ordered chicken and mayonnaise sandwiches, his on plain bread and mine on a baguette. Conversation topics included the project I'm working on for my employer, and my background in the software industry. We talked a bit about John Ford and the Western bar controversy, but that hubbub has fortunately died down for him. We also talked about the 2006 Chinese Vase incident at the museum, and on our way back in he showed me the staircase where it occurred. A visitor, claiming he'd tripped on a loose shoelace, knocked over and smashed three Qing dynasty vases. The museum does have a sense of humor about the unfortunate incident. Pulling me into the gift shop, Ted bought me a souvenir, one of the shop's best sellers - a jigsaw puzzle picturing the three vases! Back at the coin department I asked for a quick look at some of the coins, and Ted quickly obliged. After taking a quick look in Crawford to get a reference number, he opened one of the coin cabinets and slid out a tray, placing it on the table. I pick up and examined a gorgeous example of the Brutus Ides of March denarius. The accompanying slip indicated that it came from the Hart collection at Queen's college. The coin is one of the few specifically mentioned in ancient texts. To view the Ides of March denarius, see: Ides of March denarius Next I reviewed a tray of Ceasar portrait coins, including one in gold. After putting the trays away, I spent some time making notes while Ted went about his regular work. I noted some of the handy volumes on shelves in the main room, including a set of BM Greek and SNG (the Sylloge Nummorun Graecorum). A well-worn set of three volumes comprised the Catalogue of the McClean Collection of Greek Coins (S. W. Grose, 1923-1929). The volumes were prepared in 1914 but publication had been delayed until after WWI. The collotype plates illustrate two-thirds of the coin in the collection. Lying on the library table was a draft of a work researched partly at the Fitzwilliam: The Coinage of Offa and his Contemporaries by Derek Chick, edited by Mark Blackburn and Rory Naismith. It is to be published by Spink for the British Numismatic Society later this year. Before long we said our goodbyes and I went off to explore a bit of the Fitzwilliam Museum and Cambridge. I marveled at the collection of armour on display, one of the finest collections in the world. After I left the Museum I wandered around the courtyards of some of the colleges, and took a tour of King's Church. Finally it was time to catch my train home and grab some dinner. Sunday morning I worked a bit on The E-Sylum, then walked the few blocks from my hotel to Paddington Station. I boarded a train and called Doug Saville from my cell phone to let him know I was on the way for the second visit we'd arranged. He met me at Reading Station and we drove to his office. Since my last visit, Doug had purchased a 1,000-volume numismatic library, and the books were neatly arranged on shelves. Many standard works on ancient numismatics were there, including a beautifully bound reprint of Corpus Nummorus Italicorum. Another item I'd never seen before was Numismata Cromwelliana: Coins, Medals and Seals of Oliver Cromwell by H.W. Henfrey. It was printed in an edition of 250 copies in 1877. Manville's Numismatic Guide to British and Irish Printed books 1600-2004 lists three titles by Henfrey, a numismatic prodigy who died in 1881 at the age of just 29. A working library belonging to a dealer-collector, there was understandably little relating to U.S. numismatics, although Doug did point out a bound copy of the 1954 Sotheby Farouk sale with a few annotations about American coin lots. Taped to the inside back cover was a newspaper article noting that the Egyptian government was refusing to pay Sotheby's, complaining that "buyer's rings" kept sale prices artificially low. For price list, email Doug at info@douglassaville.com. Next we hopped back in Doug's car and drove to Oxford, about half an hour away. We passed a number of picturesque farms and villages, including at least three homes with thatched roofs. We parked along a busy street in Oxford. It was time for lunch and a pint of beer, and we stepped into the Eagle and Child pub, a favorite haunt of J.R.R. Tolkien. We weren't disappointed - our sandwiches (and beers!) were excellent. Our first stop was Britain's first museum, the Ashmolean. Now undergoing a major expansion, the Ashmolean's Heberdon coin room was closed for the duration of the construction. We did see a few numismatic items on display among the collections. The hall of Egyptian artifacts was very interesting. Other rooms displayed a disparate mix of objects. The first numismatic items we encountered were "two of the surviving casts" of a medal of Federico da Montefeltro, thought to be made by Florenine sculptor Pietro Torrigiano. The same room displayed a violin by Antonio Stradivari, made in 1716 and purchased from Paolo Stradaveri in 1775. One room held a group of objects traceable to the first days of the museum. Numismatic items here included a gold medal of Henry VII minted at London in 1545, and gold presentation coins of Persia circa 1795-1796. Also on display was a clay pot with a hoard of Viking-era bronze coins. One item I found very interesting was "Powhatan's Mantle", a 17th-century deerskin with shell decorations from "Virginia, USA". After exiting the Ashmolean we visited the nearby Sheldonian Theatre, the ceremonial hall of Oxford University. It was the first major design by Christopher Wren, built 1664-1668. Graduation ceremonies are still held here. We walked up the steps to the rooftop cupola and looked out at the architecture of the city. Back on the street we walked into the Museum of the History of Science to view an astonishing collection of antique scientific instruments such as telescopes. Astrolabes and orreries. Finally, we toured Christ Church cathedral and the Christ Church College dining hall. The hall and other parts of the college were used in filming the first two Harry Potter films. We next walked back to Doug's car and drove to his home in Reading, where his wife Sue was busy preparing a dinner of pheasant and venison sausage. Doug took over for a few minutes while Sure showed me their peaceful garden. Soon Doug appeared and placed a glass of wine in my hand. The three of us had a wonderful dinner, finishing up with fruits and cheeses. All too soon it was 9:30 and time to catch the next train to London. Doug dropped me off at the station. I got back to my hotel around 11pm and worked on The E-Sylum before calling it a night. It had been a long but pleasant weekend of numismatic fellowship. Many thanks again to Professor Buttrey and Doug and Sue Saville for all their friendship and hospitality. To see a picture of London's Friday downpour, see: Picture For more information on the National Gallery's Grand Tour, see thegrandtour.org.uk More Info For more information on Hobson's Conduit, see: Hobson's_Conduit For an image of Hobson's conduit, see: Image of Hobson's conduit For more on William Martin Leake from the 1991 Encyclopedia Britannica, see: William Martin Leake WHY I DON'T COLLECT CHINESE VASES esylum_v09n06a26.html For more information on the Wren's Sheldonian Theatre, see: sheldon.ox.ac.uk For more information on the Museum of the History of Science at Oxford, see: mhs.ox.ac.uk ARNOLD MACHIN'S QUEEN ELIZABETH II COIN AND STAMP ARTWORK EXHIBIT Dick Johnson forwarded this article about a London exhibit featuring artwork used as the basis of stamp and coin designs picturing Britain's Queen Elizabeth II. In 1964 sculptor Arnold Machin was chosen to design a new effigy of the Queen for the decimal coinage; this effigy was used for all British coins until 1984. In 1967 Machin designed a similar portrait for British stamps. "A classic image of the Queen which has featured on some 200 billion stamps is being celebrated in an exhibition. The British Postal Museum and Archive (BPMA) show opens at the Royal College of Art in London on Thursday. "Arnold Machin's headshot of Queen Elizabeth II marks its 40th anniversary this year and is thought to be the most produced stamp portrait of all time. "The Timeless & Classic: Elizabeth, Queen & Icon exhibition, which runs until 15 August, includes original portrait photography and plaster casts. Douglas Muir, curator at the BPMA, said: "This is a marvellous and unique opportunity to see the Machin design process in its entirety from the development of the coin effigy through the many stages of different designs to the final, timeless icon." "Mr Machin's image was chosen from five artists asked to submit renderings of the Queen's head for a new stamp design. It first appeared on a 4d value stamp issued in June 1967." To read the complete article, see: Full Story [I visited the exhibit on opening day, 19 July 2007. I only had a limited time, but took some notes on the numismatic elements of the exhibit. These are summarized below, along with some additional information gleaned from the handouts I picked up. -Editor] 1952 - Artifact: Plaster model by Mary Gillick for the first coinage of the reign of Queen Elizabeth II January 1963 - Artifact: Machin's original wax model relief for the new Queen Elizabeth II head. June 1963 - Artifact: Drawing from Life by Arnold Machin showing the Queeen in a three-quarter back profile October 1963 - Artifact: original reduction punch (die) for coin obverse, and a 5 pence coin obverse reduction punch and working punch October 1964 - Postmaster Tony Benn encouraged stamp designs without the Queen's head, but this introduced a new problem - without the Queen's head to identify the country of origin, an alternative was needed. "Great Britain" and "U.K. Postage" were tried, but at the time the correct name of the nation was actually "United Kingdom of Great Britain and Northern Ireland (and the Isle of Man, and the Channel Islands). That doesn’t fit well on a postage stamp! Initial work for Machin's stamp design was based on his "Coinage Head" design March 1966 - Artifact: plaster cast of Machin's "Coinage Head". The plaster is very large, about 20" in diameter. Related artifacts include the final plaster model for Machin's coin effigy and a metal electrotype. [While viewing the exhibit I couldn't help but think, 'Wow, somebody ought to put all this great information together in a book." Well, somebody did. Among the handouts I picked up at the exhibit were the May and June 2007 issue of the British Philatelic Bulletin which included the 2nd and 3rd installments of a three-part article by Douglas Muir, "an abridged chapter from his book, 'A Timeless Classic: The Evolution of Machin's Icon', published this month." The book is available at the Royal Mail web site (www.royalmail.com). The description reads "This 248 page, fully illustrated book is written by Douglas Muir, curator of the British Postal Museum and Archive and an expert on the development of the Machin image." The cost is 19.95 GBP. Because of the close connection to British coins and the good amount of numismatic information within, this could be a useful book for coin collectors. -Editor] To order the Douglas Muir book "A Timeless Classic" see: Order Info To read an interview with Muir about his work and the Machin exhibit, see: Full Story CZECH BANKNOTE ARTIST OLDRICH KULHANEK'S WORK EXHIBITED IN CHICAGO "Czech artist Oldrich Kulhanek's career has taken some bizarre twists, from time in a Communist jail to designing banknotes for the new Czech Republic which are part of a new U.S. exhibition of his work. "The exhibition includes the first display of his prints for the current Czech banknotes he designed in the early 1990s, large lithographs of nude figures, and a series of works devoted to Czech-born writer Franz Kafka who wrote about a nightmarish world of isolated and troubled individuals. "The exhibition is one of the attractions in 'Prague Days in Chicago,' a series of events this summer to mark Chicago and the Czech capital's pairing up as sister cities back in 1990. "The exhibition 'Oldrich Kulhanek - drawings and prints' runs to July 31 at the International Currents Gallery of the John David Mooney Foundation at 114 West Kinzie Street, Chicago. The gallery is open Tuesday to Thursday from 12 p.m. to 6 p.m., Friday and Saturday from 12 p.m. to 5 p.m., or by appointment. Tel. 312 822 0483, mooneyfoundation.org To read the complete article, see: Full Story NEW LIBERTY DOLLAR FEATURES LONGSHOT PRESIDENTIAL CANDIDATE RON PAUL According to an article published by Congressional Quarterly, "He’s still a long shot for the presidency, but Republican Rep. Ron Paul of Texas has leapfrogged into a distinction usually reserved for chief executives — and dead ones, at that: His visage now graces a coin. "To be sure, the disks were not struck by the U.S. Mint. They are, rather, a rival currency called the Liberty Dollar, which lately has been fighting a court battle over a mint consumer advisory not to use the dollar coins — which are designed for barter transactions — as legal tender. "Paul is a natural choice to grace the Liberty Dollar — as well as the steeper $20 silver and $1,000 gold editions of the currency — because he shares the Indiana company’s preference for currency backed by precious metals. Paul’s campaign spokesman Jesse Benton says his boss supports “legalized competition between Federal Reserve notes and other specie currency” by allowing people to pay for goods and services with gold or silver." To read the complete article, see: Full Story [Paul's spokesman notes that "however flattering the homage may be, Paul isn’t endorsing the use of Paul dollars." The campaign wants donations in U.S.-backed funds. What happened to rendering unto Caesar? Gold, Silver and Copper versions are planned. A blog entry on the Paul web site pictures the silver version. One supporter plans to distribute copper versions as campaign promotion items in November: "They are inexpensive enough to distribute in small quantities as handouts to potential voters. Many paper handouts (for any candidate) are likely to go (probably unread) into the nearest wastebasket. But few, if any, copper coins are going to get thrown away. People just can't bring themselves to do it. The deep-seated archetype of coins as money, even if those coins aren't "legal tender", is too powerful to allow it. A one dollar copper could potentially have a greater impact than a dollar's worth of paper." -Editor] To read the complete Ron Paul Liberty Dollar blog item, see: Full Story For ordering information, see: Order Info AGRICULTURE LEADER NORMAN BORLAUG TO RECEIVE CONGRESSIONAL GOLD MEDAL The student newspaper of Texas A&M noted this week that "Norman Borlaug, distinguished professor of international agriculture, Nobel Peace Prize winner and father of the Green Revolution will receive the Congressional Gold Medal Tuesday for his work to counter famine. "The Department of Soil and Crop Sciences said Borlaug is responsible for saving more lives than any person who has ever lived. His most notable achievement is the development of a high-yielding, disease-resistant wheat. The wheat helped counter starvation in Mexico, India, China and Pakistan. "The Congressional Gold Medal is the highest expression of national appreciation for distinguished achievements and contributions. All Congressional Gold Medal legislation must be cosponsored by at least two-thirds of the U.S. Senate and House of Representatives before it is submitted to the respective committee. "The medal is created on an individual basis by the United States Mint to reflect the recipient and their contributions. Previous recipients include George Washington, Thomas Edison, Mother Teresa and Rosa Parks." To read the complete announcement, see: Full Story The newspaper published a longer profile on Borlaug last week: "Through the National Youth Administration, a depression-era program designed to provide work-study jobs to college students, Borlaug enrolled at the University of Minnesota, where he studied forestry. It was in Minneapolis that he was exposed to the hunger he would combat his entire life. "When I got to Minnesota, to my horror, I saw hundreds of people go downtown to Minneapolis - people with their hands up - young, middle-aged people asking for a nickel to buy bread. That's how things were." "Borlaug's most well-known work started in Mexico and came in the form of a genetically modified, semi-dwarf wheat plant. Working with local Mexican and American scientists and farmers, he was able to create, culture and spread a shorter and stouter wheat plant that was stronger, resisted disease and yielded more. It quickly turned around Mexico's status as a wheat producer. "But Borlaug wasn't done. While experts were predicting famine in the 60s for India and Pakistan, he was working to bring the same success to the warring nations. It wasn't safe work, and the Indian-Pakistan war sometimes crept close to where he was planting. "It's not hard for Borlaug to keep himself motivated, though, as he can state his central passion in clear terms. "'I hate suffering and human misery,' Borlaug said." To read the complete article, see: Full Story HAPPY BIRTHDAY TO THE AUTOMATED TELLER MACHINE David Sundman forwarded the following article about the birthday of the automated teller machine forty years ago. Last month an historical plaque was dedicated at the site of the world's first ATM. "The world's first ATM was installed in a branch of Barclays in Enfield, north London, 40 years ago this week. "Inspiration had struck Mr Shepherd-Barron, now 82, while he was in the bath. "'It struck me there must be a way I could get my own money, anywhere in the world or the UK. I hit upon the idea of a chocolate bar dispenser, but replacing chocolate with cash.' "Plastic cards had not been invented, so Mr Shepherd-Barron's machine used cheques that were impregnated with carbon 14, a mildly radioactive substance. "The machine detected it, then matched the cheque against a Pin number. "However, Mr Shepherd-Barron denies there were any health concerns: 'I later worked out you would have to eat 136,000 such cheques for it to have any effect on you.' "One by-product of inventing the first cash machine was the concept of the Pin number. "Mr Shepherd-Barron came up with the idea when he realised that he could remember his six-figure army number. But he decided to check that with his wife, Caroline. "'Over the kitchen table, she said she could only remember four figures, so because of her, four figures became the world standard,' he laughs. "But even though he invented the machine, Mr Shepherd-Barron believes its use in future will be very different. He predicts that our society will no longer be using cash within a few years. "'Money costs money to transport. I am therefore predicting the demise of cash within three to five years.' "He believes fervently that we will soon be swiping our mobile phones at till points, even for small transactions." To read the complete article, see: Full Story [Thanks to Dr. Martin Allen for pointing out that although the Barclay's ATM was the first ot the type we know today, "a mechanical cash dispenser was developed ... and installed 1939 in New York City by the City Bank of New York, but removed after 6 months due to the lack of customer acceptance." See Full Story -Editor] U.S. IMPOSES RESTRICTIONS ON IMPORTING CYPRIOT COINS The New York Times reported this week on the latest development in the tug of war between over the importing of ancient coins into the United States. "In a move that some coin collectors fear could eventually make it difficult to pursue their passion, the United States government has imposed import restrictions on ancient coins from Cyprus. It is the first time the United States has limited trade in a broad category of coins as part of an effort to guard the cultural heritage of another country. "The new rules, which were adopted last week and went into effect on Monday, would essentially bar the importation of any ancient coin from Cyprus unless authorized by the Cypriot government. The limits are part of a broader agreement between the United States and the Republic of Cyprus to extend for five years existing restrictions on the import of pre-classical, classical and Byzantine art and artifacts from the island. "Cyprus has said the restrictions are necessary to combat the looting of cultural and archaeological sites, particularly in the northern part of the island, which has been divided from the south since Turkey invaded in 1974. "“We are very pleased coins have been added to this,” said Cyprus’s ambassador to Washington, Andreas Kakouris. “Coins constitute an inseparable part of our own cultural heritage, and the pillage they are subjected to is the same as other archaeological material.” "Numismatic associations had argued before a State Department advisory committee that import restrictions on ancient coins could not fairly be enforced. Coins minted in Cyprus were found throughout the ancient world, the collectors asserted. They said it would be impossible for customs officials to determine whether a coin came from Cyprus or elsewhere and whether it had been legitimately excavated." To read the complete article, see: Full Story The following details appeared in the Federal Register last Friday, July 13, 2007: "The Assistant Secretary for Educational and Cultural Affairs, United States Department of State, has determined that conditions continue to warrant the imposition of import restrictions. Accordingly, the restrictions will remain in effect for an additional 5 years..." "Note that one subcategory, Coins of Cypriot Types, has been added to the category entitled Metal. EFFECTIVE DATE: July 16, 2007." "Coins of Cypriot types made of gold, silver, and bronze including but not limited to: 1. Issues of the ancient kingdoms of Amathus, Kition, Kourion, Idalion, Lapethos, Marion, Paphos, Soli, and Salamis dating from the end of the 6th century B.C. to 332 B.C. 2. Issues of the Hellenistic period, such as those of Paphos, Salamis, and Kition from 332 B.C. to c. 30 B.C. 3. Provincial and local issues of the Roman period from c. 30 B.C. to 235 A.D. Often these have a bust or head on one side and the image of a temple (the Temple of Aphrodite at Palaipaphos) or statue (statue of Zeus Salaminios) on the other." To read the Federal Register for Friday, July 13, 2007, see: Full Story HOW ANCIENT COINS FOUND THEIR WAY TO ENGLAND The Hemel Gazette of Hemel Hempstead, England published an article about a local coin find that includes an interesting note about many ancient coins found their way to England and elsewhere in modern times. "The receipt of an ancient coin from a Gazette reader created great interest recently when it was handed over to Berkhamsted Local History and Museum Society, as requested by reader 84-year-old James Fellowes, of North Walsham, Norfolk. "The coin is a Billon Tetradrachm from the mint of Alexandria in Egypt. "This is a very common coin and if sold to a collector today would fetch about £12. "Peter says: "Take no notice of the provenance - it was probably brought back and lost by a Second World War serviceman who had visited Egypt. "A friend of mine, stationed in Egypt during the war, told how, like many servicemen, he was inveigled into climbing the Great Pyramid at Giza (you could then!) "Halfway up with his guide he stopped for a breather at which point the guide produced a handful of these coins, explaining that they were 'very ancient genuine Roman coins, very valuable' and that most people bought their coins at this point on the pyramid. "As Frank, my friend, remarked, looking down some 250 feet, he could see reason in buying coins at that point. Many did likewise. He never did tell me how much he paid - no doubt an exorbitant sum then, in relation to service pay." To read the complete article, see: Full Story HOUSTON PRESS ARTICLE RECOUNTS BOILER-ROOM COIN SALES TACTICS Content presented in The E-Sylum is not necessarily researched or independently fact-checked, and views expressed do not necessarily represent those of the Numismatic Bibliomania Society. The Numismatic Bibliomania Society is a non-profit organization promoting numismatic literature. For more information please see our web site at http://www.coinbooks.org/ There is a membership application available on the web site. To join, print the application and return it with your check to the address printed on the application. Visit the Membership page. Those wishing to become new E-Sylum subscribers (or wishing to Unsubscribe) can go to the following web page link. |
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