Dick Johnson submitted these thoughts on medallic anthropomorphism (read on to learn what that means).
-Editor
While the article on anthropodermic books was a bit gruesome in last week’s E-Sylum I recall the use of the related word "anthropomorphic," meaning “human-like.” With this meaning in mind I have used it in cataloging a medal or two, one of which was a forester’s national association which illustrated, obviously, a tree on the reverse. All the leaves were human faces. I have the term listed in my Encyclopedia.
I had to use this word to describe a sculpture recently. The statue in Boston’s Charles River esplanade is composed of layers to form the head of Arthur Fiedler, famed conductor of the Boston Pops. How do you describe this statue? I even inquired of the editors of Merriam-Webster’s dictionary for the proper term.
Their reply was “layers” a term used by the artist, Ralph Helmlck. In my 40 years working with sculptors I had learned artists are poor wordsmiths, with some exceptions, of course, like Malvina Hoffman. “Layers” sounded like I was describing a cake. I wanted something like “striated” layers. Here is what I wrote to describe this unusual sculpture:
The Arthur Fiedler Statue consists of 83 layers of aluminum, each stratum is shaped slightly different from its neighbor, which when stacked forms the image of a human-like face. The sculptural form of stratified anthropomorphic design is rare in the art field. The symbolism of the layers is said to be “a sense of movement or variation like that of a violin which Fiedler played” and changes as a viewer approaches the statue.
As a numismatic connection some years back I wanted a head of Abraham Lincoln in this sculptural technique in medallic size. I contacted a dozen medallists. Not one taker; all refused such a commission.
To read the earlier E-Sylum article, see:
THE ANTHROPODERMIC BOOK PROJECT
(www.coinbooks.org/esylum_v19n44a34.html)
Wayne Homren, Editor
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